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LOT 0034
Egyptian Green Glazed Steatite Syncretic Amulet of Mut
THIRD INTERMEDIATE PERIOD, CIRCA 1069-735 B.C.
2 3/8 in. (22.6 grams, 61 mm).
Modelled in the round, formed as the goddess standing before a high-backed throne cradling the head of a standing naked child to her chest; the goddess with tiered double-crown and tripartite wig; throne with low-relief figure of the lioness-headed goddess Sekhmet to the rear with spread wings forming the arms of the chair.
Provenancewith Jean-Phillipe Mariaud de Serres, Paris, France.
Private collection, London, UK, acquired from the above in 1992.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12633-235083.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Daressy, G., Catalogue général des antiquités égyptiennes du Musée du Caire N° 38001-39384 Statues de divinités, Cairo, 1906, pl. LXIII (39.374), for a similar example in the Cairo Museum.
FootnotesMut was a prominent mother goddess in ancient Egyptian religion, associated with creation, motherhood, and the sky. She was the consort of the god Amun and the mother of Khonsu, forming the Theban triad with them in Thebes. Mut's name ("mother" in ancient Egyptian), reflects her role as a divine mother and patroness of motherhood. Sekhmet was revered as a powerful and fierce protector. Her presence was believed to ward off evil and safeguard the people from harm. In ancient Egyptian mythology, Sekhmet was also a manifestation of Hathor, another powerful birth goddess.
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LOT 0034
Egyptian Green Glazed Steatite Syncretic Amulet of Mut
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
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Egyptian Carnelian Fly Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £104
Carved with ribbed body and eye detailing; drilled through the body for suspension. 0.34 grams, 10 mm
Ex London, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Small fly amulets first appeared in burials during the Naqada II Period, c. 3200 B.C. These amulets grew in popularity and the materials used to make them expanded during the New Kingdom. They are crafted from a variety of materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were thought to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even been intended to symbolise the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and fly-like persistence of soldiers in battle. -
Egyptian Silver Poppy Amulet Group
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £143
Three pendants each with poppy-head and loop at the apex. 3.22 grams total, 16-18 mm
Ex London, UK, art market, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Amulets in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife. -
Egyptian Faience Hare Statuette
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £130
Modelled in the round in crouching position with its ears pulled back and resting along the body, black detailing to the eyes. 25 grams, 44 mm
Private collection of Mr K.A., acquired in the 1990s-early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The desert hare was one of the most common wild animals in Egypt. The female hare was sacred to Wenut, goddess of the 15th Upper Egyptian nome, though no specific hare cults are known. The purpose of hare figurines remains uncertain. According to Plutarch, Egyptians regarded the hare’s speed and keen senses—reflected in its open eyes—as divine.
