Egyptian Green Glazed Faience Amulet of Nephthys

Comprising mainly D-section types with moulded facial detailing some with vertical band of hieroglyphs to the lower body. 11.1 grams total, 67-72 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

Depicting in high-relief the Osirian triad (Isis, Horus, Nephthys) standing side by side on an integral plinth against a dorsal pillar; Nephthys (right) and Isis (left) are shown frontally, wearing headdresses with their specific attributes, each holding the hands of the central Horus figure, shown naked and with the side-lock of youth; a ribbed loop at the top for suspension. 8.56 grams, 33 mm



From the collection of a Swedish noble family, 1920s.

Isis and Nephthys operate as complementary sister deities who guard both Osiris and the deceased through mourning, magical protection, and ritual lamentation, while Horus, the child of Isis, signifies renewal and legitimate kingship. On amulets, the triad translates into a compact visual statement of protection: the deceased is imagined as being held within the sisters’ magical and ritual care, while Horus embodies the successful outcome of that protection in the form of rebirth and continuity.

Four-strand designer necklace composed of polychrome beads of mainly disc and cylindrical types. 24.65 grams, 61 cm



Acquired before 1979. From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014.

For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable, and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.