Egyptian Granite Seated Figure Representing Osiris

An elaborate amulet in bright blue faience, modelled on four sides: Side 1: a diminutive figure of Harpokrates holding a snake in each hand and standing on the back of a lion, below which is a stylised mummiform (?) figure with a nemes headdress and a broad ornamental collar; Side 2: a baboon seated upon a nebyt collar, below which is a standing naked female figure wearing a Hathoric wig; Side 3: a standing naked female figure with right arm hanging by her side and left arm bent at the elbow and forearm positioned beneath her breasts, wearing a composite wig with striated lappets and uraeus to the front, surmounted by two tall ostrich feathers fronted by a sun disc; Side 4: a standing naked female figure with right arm hanging by her side and left arm bent at the elbow and forearm positioned beneath her breasts, wearing a lappet wig and uraeus to the front, surmounted by a tall two-plumed headdress fronted by a sun disc; the figure of a falcon tops the composition, which stands on an integral plinth. 21 grams, 60 mm



Mr F.D. collection, acquired on the European art market, 1975 to present. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This highly unusual amulet contains elements associated with Horus cippi. On such objects, Horus is depicted as a naked child, usually holding snakes and standing on crocodiles, though other dangerous animals, such as lions, are also represented with him. The goddesses Isis and Nephthys are typically found on cippi, and two of the three female figures on this amulet may represent these goddesses. However, their headdresses are untypical of either deity, while the third female figure sports the Hathor wig.

Wedjat bead or amulet with applied black detailing to the pupil and brow. 1.18 grams, 17 mm



Mr F.D. collection, acquired on the European art market, 1975 to present. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The wedjat-eye amulet is a representation of the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. It was very popular and used by both the living and the dead.

Comprising three figures to represent a calving scene: a standing cow or other quadruped giving birth to its young, its head, neck and forelegs emerging from the mother's rear, both with a black and white speckled coat; a standing male figure with articulated arms and pierced hands, wearing a kilt and cropped wig and with stylised facial detailing; a kneeling figure also with articulated arms, open-palm hands, wearing a kilt and cropped wig, stylised facial features; extensive remains of polychrome pigment. 113 grams total, 9.5-16 cm



From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11597-199209. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Such models would have been deposited in tombs; the purpose of such a scene was probably to evoke the season of spring, when calves were born, and the floodplain where farmers lived and raised their livestock.