Loading, please wait...
LOT 0520
Egyptian Granite Relief
NEW KINGDOM, 1550-1292 B.C.
7 3/8 in. (3.57 kg, 18.7 cm).
Relief fragment with dressed face and three edges; the feet and lower body of a human figure in profile wearing a tight-fitting calf-length garment on a baseline; the left forearm behind with hand holding a goose by its pinions; to the left a series of ḥtp hieroglyphs.
ProvenanceAcquired in the mid 1980s-1990s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12366-226937.
See similar offering scenes in Stupko-Lubczynska, A., Offering scenes in the chapel of Hatshepsut, Warsaw, 2016, figs.5, 30,34, 37, 105-106.
FootnotesThis likely represents part of an offering scene, showing the individual bringing a goose and the hieroglyphs writing ḥtpt, probably part of a phrase referring to 'offerings'.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Egyptian Bronze Cobra Mount
Late Period, 6th century B.C.Estimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £500
Cobra-shaped mount with head raised and hood expanded, two mounting studs to the reverse; mounted on a custom-made stand. 182 grams, 22 cm
Private Israeli collection. Ex Archaeological Center, Tel Aviv, Israel, 2015. Private European collection.
The mount most likely adorned the Atef crown of a statue of Osiris. -
Egyptian Cylinder Seal with Hieroglyphs
Late Period, 664-332 B.C.Sold for (Inc. bp): £390
Steatite cylinder producing a decorative top and bottom border enclosing a scene depicting a nefer sign flanked by two falcons surmounting the hieroglyph for gold, nub, and another scene to the side depicting a scarab beetle with a double plumed sun disc above; with a suspension hole running through the cylinder's centre. 4.65 grams, 25 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Egyptian Limestone Relief of a Ptolemaic King
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £14,300
Trapezoidal fragment bearing a low-relief depiction of a Ptolemaic king shown in profile, with characteristic plump cheeks, slightly upturned mouth, and internally detailed ear, wearing a long false beard, the Red or Dual Crown of Egypt with uraeus to the front, and a broad collar; the lower part of a cartouche to the right. 405 grams, 11 cm
Léon Rodrigues-Ely (1924–1973), Marseille, France. with Christie's, Paris, 6 May 2015, no.93. Private collection, Europe. Accompanied by a copy of an Art Loss Register certificate no.S00104585. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12369-226941.
Léon Rodrigues-Ely (1924–1973) was a prominent French collector based in Marseille, known for his keen interest in fine art and antiquities. Throughout his life, Rodrigues-Ely assembled an eclectic and esteemed collection, particularly focusing on European and Mediterranean artifacts. His passion for collecting was fuelled by a deep appreciation for history and culture, and he was well-regarded among art dealers and scholars alike. Many of the pieces in his collection were acquired from significant galleries and private collections across Europe, reflecting his dedication to preserving cultural heritage. Rodrigues-Ely’s collection continued to be highly sought after following his death, with several pieces passing through prestigious auction houses, cementing his legacy in the art world.