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LOT 0078
Egyptian Gold Necklace with Harpocrates Pendant
ROMAN PERIOD, 1ST CENTURY B.C.-1ST CENTURY A.D.
16 In. (49.80 grams, 40.5 cm).
Gold chain of double-looped links terminating in corrugated end elements, with hook-and-eye clasp; suspension ring embellished with applied granulation and a ribbed loop; hollow-formed sheet-gold pendant in the round depicting Harpocrates seated, his right forefinger raised to his mouth, wearing a finely detailed nemes headdress surmounted by a complex hemhem, crown incorporating multiple hedjet elements, flanking uraei, and ram's horns.
ProvenanceEx Elie Boustros collection, Lebanon.
Private collection, acquired in the late 1980s-early 1990s; thence by descent.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13203-249297.
See Swan Hall, E., 'Harpocrates and Other Child Deities in Ancient Egyptian Sculpture' in Journal of the American Research Center in Egypt, Vol. 14, 1977, pp.55-58, fig.1, pl.XXVII; fig.4, for discussion; for statuettes of Harpocrates with the same accoutrement see Roeder, G., Ägyptische Bronzefiguren II, Berlin, 1956, pl. 20e.
FootnotesThe fully three-dimensional modelling of the pendant aligns it with a group of high-quality Roman-period Egyptian goldwork characterised by pronounced plasticity and sculptural ambition. A pertinent comparison may be drawn with the gold diadem depicting Serapis from the Dush Treasure, discovered concealed within the wall of a Roman fort in the Baris Oasis (Reddé, M., Douch IV. Le trésor de Douch, DFIFAO 28, Cairo, 1992). That assemblage, plausibly associated with a nearby temple of Serapis and Isis, demonstrates a similarly bold treatment of divine imagery in precious metal. Comparable small-scale representations of Harpocrates in gold - often amuletic in function - are known from Roman Egypt, though examples combining such intricate crown iconography with fully rounded modelling remain relatively rare. The present piece therefore occupies an interesting position between personal adornment and cultic or apotropaic object, reflecting both Alexandrian iconographic synthesis and provincial workshop virtuosity.
Harpocrates is the Greek version of the Egyptian Hor-pa-khered, which means ‘Horus the Child’. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to provide the same protection that Isis offered to her beloved son.
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LOT 0078
Egyptian Gold Necklace with Harpocrates Pendant
Estimate £15,000 - 20,000€17,400 - 23,200 (for guidance only)$20,250 - 27,000 (for guidance only)
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Phoenician Lapis Lazuli Scarab in Gold Swivel Ring
6th-4th century B.C. and laterEstimate: £1,000 - 1,400 (‡+bp*)
Opening Bid: £500
With lightly incised anatomical detailing to the scarab; the underside with a central cartouche flanked by two rearing crowned uraei, a pair of falcons standing above the cartouche facing a smꜣ hieroglyph symbolising union (of the two lands, Upper and Lower Egypt); set into a later gold swivel ring. 4.34 grams, 26.44 mm overall, 15.68 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)
with Bonhams, London, UK, 21 October 1999, no.36. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12370-226696. -
Egyptian Bronze Uraeus Mount
Late Period-Ptolemaic Period, circa 664-30 B.C.Sold for (Inc. bp): £59
Formed as a rearing cobra with the hood divided into cells to accept inlay. 6.54 grams, 35 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
The uraeus depicts a rearing cobra and symbolises royal power and authority, as well as the Lower Egyptian goddess Wadjet. -
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Egyptian Faience Bead with Cartouches of Pharaoh Amasis
Late Period, 26th Dynasty, circa 664-525 B.C.Sold for (Inc. bp): £2,340
Square in plan with transverse piercing, obverse with three panels: the left bearing a cartouche surmounted by two plumes containing the pharaoh’s birth name, i͗Ꜥms sꜢ nt (Ahmose, son (of) Neith); the right, a similar cartouche containing his throne name, ẖnm-i͗b-RꜤ (He who embraces the heart of Re); the centre inscription reads, ḥpw Ꜥnḫ sꜢ ḥpt(?) (the living Apis, son [of] Hepet?) two with a cartouche for Amasis, text to the centre. 4.96 grams, 26 mm
Ex private collection, Germany. with Galerie Günter Puhze, Freiburg, Germany, prior to 2003. Private collection, acquired on the German art market, 2004. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13186-249203.
The three-column text arrangement closely resembles that of another rectangular spacer bead, engraved with Ahmose II’s cartouches flanking a central inscription, now held at The Walters Art Museum, Baltimore (accession number 42.377). Although the central inscription differs in content, the bead’s connection to the Apis bull is shown on the opposite side, where the sacred animal is depicted. Amasis II (Egyptian: Ahmose II), fifth king of the 26th Dynasty (Saite Period), reigned c. 570–526 BC. Rising to power after overthrowing Apries, Amasis presided over a period of renewed stability and prosperity in Late Period Egypt. His reign is characterised by administrative reform, economic growth, and an active foreign policy, including close diplomatic and commercial relations with the Greek world, evidenced by Greek mercenaries in Egyptian service and the granting of Naukratis as a trading enclave. Amasis undertook extensive temple building and restoration programmes throughout Egypt, particularly at Sais, Memphis, and in Upper Egypt, consciously aligning himself with earlier pharaonic traditions. His royal titulary appears widely on monuments, scarabs, amulets, and architectural elements, often reflecting an emphasis on divine legitimacy and Maʿat. Amasis died shortly before the Persian conquest of Egypt under Cambyses II; his reign represents the final florescence of independent Egyptian kingship before Achaemenid rule.
