Egyptian Glass Bead Necklace with Large Sekhmet Faience Amulet

Rectangular frieze fragment with advancing figure in profile wearing a shendyt kilt holding up two poles in his raised hands; to his rear, part of a second figure with an openwork wooden frame (footstool) and other items; mounted in sturdy wooden frame with suspension rings to the reverse; surface has been extensively cleaned, restored, and repainted. 6.8 kg, 40.5 x 32.2 cm



Mounted in an early 20th-century wooden frame bearing a stamped inscription reading “Exposition Paris …” From the collection of L.V. (1950-1960), Paris, France. Collection of Monsieur X. (1931-2017), dispersed for the benefit of the Monaco Red Cross. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13224-249307.

The servant is carrying geese, like in many other representations of the New Kingdom. Many portrayals of ducks and geese in ancient Egyptian art show the importance of the birds as food. Servants plucking geese are visible in the tomb of Nakht, in Luxor (1567-1320 B.C.), and in the famous tomb of Nebamun, at the British Museum, a fresco fragment shows workers standing in front of a gaggle of geese.

A miniature male head with high eyebrows, large eyes, and protruding nose and mouth; traces of polychrome; inked collector's number '46' on the back; mounted on a custom-made display stand. 76 grams total, 92 mm including stand



Collection of Ambassador G.P., Nr.203, before 1965. with Galerie Rhéa, Zurich, Switzerland.

Depicting the goddess Nephthys wearing the two hieroglyphic parts of her name (Neb(et)-Hut), with dorsal pillar and base. 2.62 grams, 37 mm



with Bizhan Soumekh, 14 September 1981. Private collection, London, UK.