Egyptian Fragment from a Wooden Shabti of Pharaoh Amenhotep III

Hollow-cast depiction of the baboon manifestation of the god Thoth, seated on its haunches, front paws resting on the knees of its back legs, genitalia exposed, a thick cowl of fur around its shoulders, and a long tail curling from the back; remains of a crescent moon sit on the crown of its head, preserving traces of gilding (this may originally have been surmounted by a full moon disc); the animal’s coat is rendered naturalistically with fine incised detailing, and the hands and feet are delicately portrayed, with knuckles and nails accurately defined; facial features are strongly modelled; the eye inlays, most likely glass or quartz, survive, with pupil and white differentiated; stabilised. 810 grams, 11.8 cm (1.59 kg total, 22.1 cm high including stand)

Condition: Some cracking of the original metal, particularly around the head, shoulders, and tail; much of the crown now lost; heavy corrosion and oxidisation, now stabilised.

Collection of Max Willborg (1933-2001), Stockholm, Sweden, acquired 1981. Accompanied by an Art Loss Register certificate, no.S00133604 This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13521-263440.

Because of its curious behaviour at dawn, when it sits upright on its hind legs, waves its front paws in the air, and screeches, the baboon was regarded as a creature of the sun god, as if it had foreknowledge of the sun’s arrival. More commonly, however, it was associated with the moon, under whose light this performance takes place. As a result, the baboon (both Papio cynocephalus, the dog-headed baboon, and P. hamadryas) was the form adopted by the Egyptian lunar gods Khonsu of Thebes and Thoth of Hermopolis in Middle Egypt. Images such as this are assumed to represent Thoth unless an inscription specifically names Khonsu. Thoth was Lord of Time, inventor of writing, and patron of scribes. The original animal manifestation associated with Thoth may have been the ibis, and his baboon form may have been adopted only when the cult of the god was extended to Hermopolis, where a baboon known as the Great White was already adored.

Deep blue, lustrous-glazed mummiform shabti with a tripartite wig and modelled arms; each hand holding a hoe, with the implements, wig, and facial details rendered in black; on the back of the figure, below the wig, hangs a centrally positioned trapezoidal seed bag in black; the bottom half of the figure bears eight columns of hieroglyphic text in black, giving a version of the shabti spell. 229 grams, 15.1 cm



From the cache of mummies of the priests of Amun at Deir el-Bahari, found by the Abdul Rassoul family circa 1910. E.E.S. sale, November 1967, sold for £5.00. Acquired from Richardson, St Christopher’s Place, Wigmore Street. London, late 1960s, for £7.00 and 10 shillings. From the private collection of Peter Clayton, FCILIP, Dip, Arch, FSA, FRNS, Hemel Hempstead, Hertfordshire, UK; formed since the late 1950s. Accompanied by an academic report by Paul Whelan. Accompanied by an old handwritten information card by Peter Clayton, collection no.122. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13491-262881.

Comprising a carved scarab in a gold frame with mounting rings suitable for use as a ring bezel; the underside features a trilinear looped guilloche motif flanking two ankh motifs. 2.63 grams, 20 mm



Acquired from Derek Content, 20 May 1975. Private collection of Kal Noselson, New York, acquired between 1976 and the late 1990s; thence by descent. Accompanied by an original handwritten invoice from Derek Content, dated 20 May 1975.