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LOT 0479
Egyptian Four-Sided Amulet
LATE PERIOD, 664-332 B.C.
2 3/8 in. (21 grams, 60 mm).
An elaborate amulet in bright blue faience, modelled on four sides: Side 1: a diminutive figure of Harpokrates holding a snake in each hand and standing on the back of a lion, below which is a stylised mummiform (?) figure with a nemes headdress and a broad ornamental collar; Side 2: a baboon seated upon a nebyt collar, below which is a standing naked female figure wearing a Hathoric wig; Side 3: a standing naked female figure with right arm hanging by her side and left arm bent at the elbow and forearm positioned beneath her breasts, wearing a composite wig with striated lappets and uraeus to the front, surmounted by two tall ostrich feathers fronted by a sun disc; Side 4: a standing naked female figure with right arm hanging by her side and left arm bent at the elbow and forearm positioned beneath her breasts, wearing a lappet wig and uraeus to the front, surmounted by a tall two-plumed headdress fronted by a sun disc; the figure of a falcon tops the composition, which stands on an integral plinth.
ProvenanceMr F.D. collection, acquired on the European art market, 1975 to present.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
This highly unusual amulet contains elements associated with Horus cippi. On such objects, Horus is depicted as a naked child, usually holding snakes and standing on crocodiles, though other dangerous animals, such as lions, are also represented with him. The goddesses Isis and Nephthys are typically found on cippi, and two of the three female figures on this amulet may represent these goddesses. However, their headdresses are untypical of either deity, while the third female figure sports the Hathor wig.
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AUCTIONS:
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Egyptian Silver Goddess Bastet Cat Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £338
Modelled seated on a tongue-shaped base, with suspension loop to the back. 0.33 grams, 8 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets provided the wearer with the goddess's protection. -
Coptic Terracotta Clay Mould
6th-7th century A.D.Sold for (Inc. bp): £72
Discoid receptacle with a military saint in Roman armour (Saint Menas), with muscular cuirass and pteryges, arms open in the manner of the orans pose, animals (camels?) on his side. 198 grams, 89 mm
Maurice Bouvier, Alexandrie, prior 1959. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The majority of the terracotta ampullae come from Egypt and bear representations of St. Menas or Mennas, an Egyptian Christian officer decapitated during the persecutions of Diocletian's time. The legend relates that the saint's body was placed upon a camel which was let loose to follow what course it chose; in the place where the camel stopped, some miles from Alexandria, a grave and a shrine were subsequently built. In allusion to this legend, St. Menas is often represented as standing between two camels, though the animals are often of so fantastic a form as to be very difficult to recognise. -
Egyptian Faience Amulet of an Ibis
Late Period, 664-332 B.C.Sold for (Inc. bp): £650
An exquisitely modelled figure of a seated ibis on a trapezoidal-shaped plinth, with its beak resting on the slender feather of Maat; light turquoise glaze for the body, plinth, and feather; blue glaze for the tail feathers, feet and neck; head absent. 3.54 grams, 31 mm
with Bonhams, Knightsbridge, 3 October 2000, no.413. Private collection, Europe. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The ibis was considered sacred to the god Thoth. It is likely that the popularity of amulets depicting an ibis resting its beak on the feather of Maat in the funerary sphere is connected to Thoth's role as the recorder of the final judgment of the deceased by the divine tribunal. This tribunal determined if the deceased had lived a virtuous life and could enter the Underworld. This was visually represented by the deceased's heart placed on scales with the feather of Maat; if the heart and feather balanced, eternity was assured.