Egyptian Flint Tool Collection

The actor represented wearing a grotesque mask, with his legs flanking his enormous phallus and genitals above. 116 grams, 13.6 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

From the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were an enhancement of the Hellenistic interest in the human body and its weaknesses and imperfections by depicting disfigured individuals. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organiser. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. This image in particular, has evolved from the ithyphallic Harpocrates terracottas. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Modelled in the round as a votive ithyphallic figure wearing a double-plumed crown with a sun disc, holding a flail in his outstretched right hand and his erect phallus in the left; mounted on a custom-made display base. 538 grams total, 21 cm high including stand



Acquired on the London art market. Ex 'K' collection, 1990-2020s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Amun-Min-Kamutef was a syncretic deity combining the attributes of Amun, the supreme god of the Egyptian pantheon, and Min who represents sexual procreation. The iconography of Amun's ithyphallic form Kamutef is essentially that of Min, and serves to emphasise the sexual prowess of the god. Kamutef means 'bull of his mother' and appears to refer both to Amun's sky-goddess mother in her cow form and to the bull's sexual prowess and strength.

Mainly blue glass biconvex and spherical beads; with old collector's card erroneously dated 'Ancient Egyptian Necklace. XII Dynasty'. 18 grams, 24 cm long



From a 19th century English collection. Ex Helios Gallery, Worcestershire, UK, 2011. Ian Wilkinson collection, Nottinghamshire, UK, formed since 1985. Accompanied by an old handwritten identification card. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.