Egyptian Faience Triple Eye of Horus Amulet

Comprising three figures to represent a calving scene: a standing cow or other quadruped giving birth to its young, its head, neck and forelegs emerging from the mother's rear, both with a black and white speckled coat; a standing male figure with articulated arms and pierced hands, wearing a kilt and cropped wig and with stylised facial detailing; a kneeling figure also with articulated arms, open-palm hands, wearing a kilt and cropped wig, stylised facial features; extensive remains of polychrome pigment. 113 grams total, 9.5-16 cm



From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11597-199209. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Such models would have been deposited in tombs; the purpose of such a scene was probably to evoke the season of spring, when calves were born, and the floodplain where farmers lived and raised their livestock.

Discoid receptacle with a military saint in Roman armour (Saint Menas), with muscular cuirass and pteryges, arms open in the manner of the orans pose, animals (camels?) on his side. 198 grams, 89 mm



Maurice Bouvier, Alexandrie, prior 1959. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The majority of the terracotta ampullae come from Egypt and bear representations of St. Menas or Mennas, an Egyptian Christian officer decapitated during the persecutions of Diocletian's time. The legend relates that the saint's body was placed upon a camel which was let loose to follow what course it chose; in the place where the camel stopped, some miles from Alexandria, a grave and a shrine were subsequently built. In allusion to this legend, St. Menas is often represented as standing between two camels, though the animals are often of so fantastic a form as to be very difficult to recognise.

Representing a hunchback in a crouched position, leaning against his emphasised phallus and resting a triangular harp on it. 64 grams, 63 mm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

From the 4th century B.C. onwards, small-scale sculptures developed into a rich repertoire of grotesque types. These so-called grotesques were an enhancement of the Hellenistic interest in the human body and its weakness and imperfections by depicting disfigured individuals. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host as the more beggars an event attracted, the greater the fortune of the event organiser. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.