Egyptian Faience Shabti

Comprising the upper part of the mummiform figure with the arms crossed at the chest and holding agricultural implements in each hand, wearing a tripartite wig with a headband with ties hanging down at the back; a seed bag suspended below the wig; the outline of the hoes, striations on the wig and the seed bag painted black; a central column of hieroglyphs on the front; mounted on a display stand. 125 grams total, 13 cm including stand



Ex Shropshire, UK, collection. From a Cambridgeshire, UK, collection.

Housed in five linen-covered boxes, covering ancient Egypt, Tutankhamun jewellery, Nefetari, Amun Hr Khopshef, Khaemwast, Tuthmosis IV, Tye, Archaic stele, maceheads, inscriptions, pottery, sculpture, Saqqara tombs, Esna etc. 3.85 kg total, 26.5 x 16.5 x 6.5 cm each box



Property of archaeologist Stephanie Gee, N.W. London, UK, 1960s-1980s.

Stephanie Gee was a prominent archaeologist who took part in several expeditions in Egypt. She was a trusted assistant to the British-Australian archaeologist Veronica Seton-Williams, who excavated in Egypt, Britain, and the Near East. Stephanie also took part in the Tell El-Farâ'în expeditions of 1965-1968, and assisted Seton-Williams with preparing the 1966 expedition report. Their collaboration continued and Stephanie helped with the manuscript of Seton-Williams’ book ‘The Road to El-Aguzein’, a narrative account of her life that was first published in 1988.

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 2.91 grams, 28 mm



Ex early 20th century collection.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.