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LOT 0022
Egyptian Faience Shabti for the Fourth Son of Ramesses II, Prince Khaemwaset
NEW KINGDOM, 19TH DYNASTY, 1279-1213 B.C.
5 in. (103 grams, 12.7 cm).
In brownish-black and white faience with black detailing, depicted wearing a round wig featuring a side-lock, the white face displaying eyes, eyebrows, nostrils, and a short beard in black; the arms crossed, and the white-glazed hands (one missing) holding hoes; a slightly raised white-glazed frontal panel containing a column of hieroglyphic text reading: 'The Osiris, the sem (priest), the King's Son, Khaemwaset, True of Voice'.
ProvenanceAcquired on the UK art market, 1990s.
Private collection, New York, USA.
Cf. Bovot, J-L., Les serviteurs funéraires royaux et princiers de l’Ancienne Égypte, Paris, 2003, pp.230-301, for the substantial collection of Khaemwaset shabtis in the Louvre.
FootnotesKhaemwaset was the fourth son of Ramesses II, born to Queen Iset-Nofret. In addition to serving as the Sem-priest of Ptah at Memphis from an early age, he held various titles related to the Memphite cult, including High Priest of Ptah. The side-lock featured on all of Khaemwaset's shabtis is associated with his priestly role. Many shabtis of the prince are known, with the largest single group coming from the Serapeum at Saqqara; however, others have been found in numerous other locations. Since Khaemwaset's tomb has yet to be discovered, it appears that most of the known shabtis may have served as votive offerings in the sacred areas of the Memphite necropolis. His faience shabtis come in various colours, including green, blue, white, and black, and range in size from just under 10 cm to 15 cm in height. The distinctive glaze combination of this example, featuring a raised white-glazed panel contrasting with the darker body colour, is also found on some other 19th Dynasty shabtis (Cf. Janes, G., The Shabti Collections 3: Rochdale Arts & Heritage Service, Cheshire, 2011, pp.1-5, for those of Userhat from Sedment).
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LOT 0022
Egyptian Faience Shabti for the Fourth Son of Ramesses II, Prince Khaemwaset
Estimate £1,500 - 2,000€1,740 - 2,320 (for guidance only)$2,030 - 2,700 (for guidance only)
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Egyptian Predynastic Stone Frog
4th millennium B.C.Estimate: £1,200 - 1,700 (‡+bp*)
Opening Bid: £600
Pyramidal in form with shallow-carved hip and facial detailing. 537 grams, 81 mm
with Artemis Gallery, Munich, Germany, 2001. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12580-232124.
The frog had a great role in ancient Egyptian mythology and was connected with the mythology of creation. A number of gods and goddesses were connected with the frog such as Heqet, Ptah, and Heh. The connection with the god Ptah as a god of creation was probably due to the idea that Ptah was the only god who created the world in ancient Egypt through his heart and his tongue. Every work of the god came about through what his heart devised and his tongue commanded. Frogs were often associated with Hekat, deity of birth and fecundity. Amulets of frogs were frequent votive gifts at such Predynastic and Archaic sites at Abydos, Naqada, and Saqqara. -
Egyptian Miniature Alabaster Jar
New Kingdom, 1550-1295 B.C.Estimate: £30 - 40 (+bp*)
Bids: 1 | Current Bid: £5
Miniature alabsatron with ovoid body and flared rim to the mouth; collector's inked number '1' inside mouth; rim chipped. 22 grams, 41 mm
From the collection of David Donlan (1947–2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery. -
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Egyptian Seated Gold Bastet Cat Amulet
Late New Kingdom-Third Intermediate Period, circa 1069-900 B.C. or laterEstimate: £500 - 700 (+bp*)
Bids: 1 | Current Bid: £400
Modelled seated on a tongue-shaped base, with simple facial detailing and a suspension loop to the back. 0.54 grams, 8 mm
Ex French art market, 1920s.
The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C., when she was first portrayed as a cat or human with a cat head. As the daughter of Ra, she was associated with the rage inherent in the sun god's eye, which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom, but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet, and she was seen as a protector of pregnant women and young children. In the Pyramid Texts, she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru', which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis, and at Saqqara and Memphis.
