Loading, please wait...
LOT 0013
Egyptian Faience Shabti for Padipepet
LATE PERIOD, 26TH DYNASTY, 664-525 B.C.
6 3/4 in. (210 grams, 17 cm).
Mummiform figure wearing a tripartite wig and false beard, with arms crossed and hands holding a pick, hoe, and the cord of a seed bag slung over the left shoulder; dorsal pillar with two columns of hieroglyphic text reading: 'O this ushabti, if the Osiris Padipepet, born of Bastet-ir-dis, [is called], 'Behold me' you shall say'; display stand with legend 'Padipepet / XXVI Dyn[asty]'. [No Reserve]
ProvenanceFrom the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990.
Property of an Essex lady until the late 1990s; thence by descent.
From the private collection of an Essex gentleman since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Allen, T.G., A Handbook of the Egyptian Collection, Chicago,1923, p. 72 for another shabti of Padipepet in the Art Institute, Chicago.
FootnotesA shabti (also known as ushabti or shawabti) is a small funerary figurine found in ancient Egyptian tombs, dating from around 2000 BCE to 30 BCE. Its primary purpose was to serve as a helper for the deceased in the afterlife, performing manual tasks like farming or irrigation. Shabtis were often inscribed with a magical formula from the Book of the Dead to ensure they would come to life when summoned. The relatively short inscription on this example includes the opening and closing parts of the spell.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Phoenician Scarab in Bronze Pendant
6th-4th century B.C.Sold for (Inc. bp): £293
With loop and intaglio design to underside featuring depictions of a falcon deity (Ra or Ra-Horakhty) flanked by two uraei; with museum-quality impression. 5.73 grams, 19 mm
Ex London, UK, gentleman 1980-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Phoenician Glass Eye Bead Fragments
1st century B.C.-1st century A.D.Sold for (Inc. bp): £124
Glass fragments from spherical beads with eyes within a white panel on black field. 6.9 grams, 15-18 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Hardstone Eye of Horus with Recumbent Lion
Late Period, 664-332 B.C.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Wedjat-eye amulet with reclining lioness to the top, pierced for suspension. 6.79 grams, 29 mm
From an early 20th century collection. Ex London, UK, gallery. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The wedjat-eye and lioness are potent, often intertwined symbols in ancient Egyptian mythology. The wedjat, representing Horus’s healed eye, signifies protection and healing, while the lioness—linked to the goddesses Sekhmet, Bastet, and Wadjet—embodies power and fierce defence as the “Eye of Ra”. Together in amulets, as in Egyptian art, they convey healing, protection, and strength. Sometimes the name of a specific goddess was inscribed on the back of the amulet, though here the recumbent lioness serves as the divine symbol.
