Loading, please wait...
Details
LOT 0013
Egyptian Faience Shabti for Padipepet
LATE PERIOD, 26TH DYNASTY, 664-525 B.C.
6 3/4 in. (210 grams, 17 cm).
Mummiform figure wearing a tripartite wig and false beard, with arms crossed and hands holding a pick, hoe, and the cord of a seed bag slung over the left shoulder; dorsal pillar with two columns of hieroglyphic text reading: 'O this ushabti, if the Osiris Padipepet, born of Bastet-ir-dis, [is called], 'Behold me' you shall say'; display stand with legend 'Padipepet / XXVI Dyn[asty]'. [No Reserve]
Provenance
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990.
Property of an Essex lady until the late 1990s; thence by descent.
From the private collection of an Essex gentleman since the late 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Literature
Cf. Allen, T.G., A Handbook of the Egyptian Collection, Chicago,1923, p. 72 for another shabti of Padipepet in the Art Institute, Chicago.
Footnotes
A shabti (also known as ushabti or shawabti) is a small funerary figurine found in ancient Egyptian tombs, dating from around 2000 BCE to 30 BCE. Its primary purpose was to serve as a helper for the deceased in the afterlife, performing manual tasks like farming or irrigation. Shabtis were often inscribed with a magical formula from the Book of the Dead to ensure they would come to life when summoned. The relatively short inscription on this example includes the opening and closing parts of the spell.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Egyptian Glass Eye Inlay Pair
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £208
The sclera white and the iris black. 4.12 grams total, 27-29 mm
Acquired on the UK art market, 1977-1979. Private collection, London. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Egyptian coffin eye inlays were both decorative and symbolic, intended to make the coffin appear lifelike and assist the deceased in the afterlife. Typically, they featured a white sclera (glass, travertine, alabaster or quartz), a dark iris (glass or often obsidian), and sometimes red paint at the inner corner. The eyes were often set in bronze or copper frames, occasionally with faience or bronze eyebrows. -
Egyptian Faience Ram Statuette
Late Period, 664-332 B.C.Sold for (Inc. bp): £468
Modelled in a dynamic pose on a rectangular base, muscular body and striated dewlap, curving horns decorated with black glaze framing the face, three large black dots on the back with further black detailing to the front hooves and tail. 44.2 grams, 64 mm
Private collection of Mr K.A., acquired in the 1990s-early 2000s. Accompanied by a copy of an Art Loss Register certificate no.2922.WW, dated 5 June 2007. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Various gods were depicted as rams. The downturned horns on this amulet indicate that the ram represents Amun. The ram was symbolically linked to ideas of revival and fertility, which, over time, became associated with Osiris and was also viewed as the god's soul or ba. -
Egyptian Limestone Floral Inlay Group
Roman Period, 30 B.C.-323 A.D. or earlierSold for (Inc. bp): £33
Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif; some fragmentary. 60 grams total, 1-21 mm
From a central London ADA dealership, 1980-1990. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.