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LOT 0022
Egyptian Faience Shabti for Nes-Khonsu
THIRD INTERMEDIATE PERIOD, 21ST-22ND DYNASTY, CIRCA 1085-713 B.C.
4 3/4 in. (166 grams, 12.2 cm).
A pale blue-green faience mummiform shabti, with arms crossed and holding a hoe in each hand, wearing a tripartite wig with a headband with ties hanging down at the back; a seed bag suspended below the wig; the outline of the eyes, eyebrows, hoes, and seed bag painted black; a central column of hieroglyphs on the front reading: wsı͗r šmꜤyt n ı͗mn ns-ḫns.w ‘The Osiris, chantress of Amun, Nes-Khonsu.’
ProvenanceEx German private collection.
Acquired from Galerie BB-Antiken & Asiatika with stock reference no.366/08.
From the private collection of a Belgian collector.
Ex TimesAncient, Bristol, UK.
Accompanied by a copy of the Galerie BB-Antiken & Asiatika certificate dated 1 December 2008.
Accompanied by a copy of a previous catalogue entry.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
For the name Nes-Khonsu, see Ranke, H., Die Ägyptischen Personennamen, Band I, p. 178, no.20.
FootnotesNes-Khnosu (and the variant Nesy-Khonsu) were common names during the Third Intermediate Period. However, the combination of the name and title in the dedication on this shabti is less common. It is possible that this shabti comes from tomb 339 at Deir el-Medineh in Western Thebes. The tomb was discovered by Bernard Bruyère in 1929 (Rapports préliminaires Deir el Médineh, Cairo, 1930, p. 89, 92), from where blue faience shabtis bearing the same dedication were recovered.
Traditionally, chantresses were female performers who acted as dancers and rhythmic musicians. Like Nes-Khnosu, many were associated with temples and played significant roles in religious festivals.
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Egyptian Glazed Faience Horus Eye Amulet
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £59
Wedjat bead or amulet with applied black detailing to the pupil and brow. 1.18 grams, 17 mm
Mr F.D. collection, acquired on the European art market, 1975 to present. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The wedjat-eye amulet is a representation of the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. It was very popular and used by both the living and the dead. -
Egyptian Four-Sided Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £1,690
An elaborate amulet in bright blue faience, modelled on four sides: Side 1: a diminutive figure of Harpokrates holding a snake in each hand and standing on the back of a lion, below which is a stylised mummiform (?) figure with a nemes headdress and a broad ornamental collar; Side 2: a baboon seated upon a nebyt collar, below which is a standing naked female figure wearing a Hathoric wig; Side 3: a standing naked female figure with right arm hanging by her side and left arm bent at the elbow and forearm positioned beneath her breasts, wearing a composite wig with striated lappets and uraeus to the front, surmounted by two tall ostrich feathers fronted by a sun disc; Side 4: a standing naked female figure with right arm hanging by her side and left arm bent at the elbow and forearm positioned beneath her breasts, wearing a lappet wig and uraeus to the front, surmounted by a tall two-plumed headdress fronted by a sun disc; the figure of a falcon tops the composition, which stands on an integral plinth. 21 grams, 60 mm
Mr F.D. collection, acquired on the European art market, 1975 to present. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
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Monumental Levantine-Egyptian Stone Head of a Pharaoh
Ptolemaic Period, 332-30 B.C. or laterSold for (Inc. bp): £46,800
An over-life-size head of a pharaoh, likely from a monumental sphinx, wearing the royal nemes headdress with a prominent headband and the remains of a rearing uraeus on the brow with a single coil of the body on either side of the cobra’s hood, its tail extending towards the back of the headdress; the large, almond-shaped eyes prominently outlined, and unlike on some portraits, the cosmetic lines do not extend beyond the outer corner; the fragmentary nose almost spanning the width of the small mouth modelled with straight and somewhat pursed lips; mounted on a custom-made display stand. 45.15 kg, 43 cm
Private collection, Germany, 1975. European collection, 1980s-late 1990s. By descent from the above to the present owner. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12201-218142. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.
The presence of tool marks around the neck and sides of the head, contrasting the smooth surface of the face and front part of the headdress, suggests that the sculpture is an unfinished piece. The noticeably heavy brow line is a feature of the 30th Dynasty style, which then influenced Ptolemaic royal portraiture (cf. Tomoum, N., The Sculptors' Models of the Late and Ptolemaic Periods, Cairo, 2006, pl.17, for a finished portrait assigned to the 30th Dynasty).
