Egyptian Faience Scarab

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the shoulders. 12.46 grams, 40.75 mm



Ex early 20th century London, UK, collection.

The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets were believed to provide the wearer with the goddess's protection.

Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks.

Plano-convex in section with plain back, mummiform type with agricultural tools. 9.43 grams, 70 mm



Acquired on the UK art market before 2000. Property of an Essex, UK, gentleman.