Egyptian Faience Phallic Figure Amulet

With gently curved obverse and flat reverse, section of an inlay depicting Anubis, with thick neck and beginning of extended foreleg. 110 grams, 96 mm



Acquired on the French art market, 1980s. with Bonhams, London, 13 April 2011, lot 21. Accompanied by copies of the relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This coloured glass inlay depicts Anubis, the jackal-headed god of mummification and protector of the dead. Likely part of a coffin or shrine, it demonstrates the use of glass to imitate precious materials in elite funerary art. The figure’s profile and predominantly black colour evoke Anubis’s role in preservation and the afterlife.

Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.

Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif; some fragmentary. 60 grams total, 1-21 mm



From a central London ADA dealership, 1980-1990. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.