Loading, please wait...
LOT 0023
Egyptian Faience Pataikos Amulet
PTOLEMAIC PERIOD, 4TH-3RD CENTURY B.C.
2 5/8 in. (29.6 grams total, 66 mm high including stand).
Depicting the creator god in the form of the dwarf god Pataikos, modelled nude with stylised anatomical detailing, holding two knives to his stomach, squatting on an oval base; a scarab on the top of his cap; ribbed suspension loop to reverse; mounted on a custom-made display base.
ProvenanceEx private French collection.
with Thierry Maigret, Hotel Drouot, Paris, 12 July 2005, 76.
Cf. Daressy, G., Catalogue général des antiquités égyptiennes du Musée du Caire N° 38001-39384 Statues de divinités, Cairo, 1906, pl.XLII no.38.801, for similar figure.
FootnotesThe Egyptian deity Pataikos is a special manifestation of the creator god Ptah, and the dwarf-like appearance symbolises his magical power. As a protective deity, amulets of Pataikos were worn for their apotropaic qualities; Pataikos was often depicted subjugating poisonous animals such as snakes and scorpions, and Pataikos amulets were probably worn to protect the wearer from such animals.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 0023
Egyptian Faience Pataikos Amulet
Estimate £1,000 - 1,400€1,160 - 1,620 (for guidance only)$1,350 - 1,890 (for guidance only)
-
Egyptian Faience Sekhmet Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £598
Glazed composition amuletic pendant of lioness-headed goddess Sekhmet seated on a throne with sceptre held to her chest. 4.75 grams, 39 mm
From the collection of Mr A.M. Ex Artemission, London SW5, UK. Private collection of Mr T.H., Norfolk, UK. Accompanied by a previous dealer's certificate of authenticity and invoice. -
Egyptian Bronze Sistrum Handle Finial
Late Period, 664-332 B.C.Estimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
The bifacial upper part of a handle featuring Hathor, depicted with cow ears and wearing a heavy wig with characteristically curled lappet ends and a broad collar; on either side a uraeus, one of which is wearing the crown of Lower Egypt, the other the Upper Egyptian crown; remains of the sistrum cradle above. 146 grams total, 10.7 cm including stand
with Galerie Gunter Phuze, Kunst der Antike 4, Freiburg, 1982, no.335. German private collection H. W. (1931-2018), acquired 1982. Accompanied by a copy of an IADAA Interpol search certificate. Accompanied by copies of the relevant Galerie Gunter catalogue pages.
The sistrum was a rattle-like instrument played exclusively by women in religious ceremonies. The sound produced by the sistrum was believed to drive away evil and soothe a god's anger. Hathor is the daughter of the sun god Re, and in her role as a mother goddess is often depicted as a cow or with bovine characteristics as here. Hathor is also associated with love, music and dancing, and the sistrum is one of her sacred symbols. -
Egyptian Blue Faience Shabti
Early Ptolemaic Period, circa 3rd century B.C.Estimate: £800 - 1,000 (‡+bp*)
Opening Bid: £400
With a thick and lustrous turquoise glaze, sporting a tripartite wig highlighted in darker blue glaze, and a long beard; holding a pick, hoe and a cord for a seed bag hanging over the left shoulder; raised dorsal pillar and an integral plinth; repaired. 44 grams, 11.5 cm high
Ex collection of Jacques René Fiechter, Switzerland (1920-1950). with Auction Martin, Egyptian Collection André Bircher, 1949. Accompanied by an academic report by Egyptologist Paul Whelan.
The lack of inscription hinders positive identification, but the shabti’s proportions, elegant modelling, and lustrous glaze closely match others considered to have come from an area of the extensive necropolis at Abydos, labelled “Cemetery G” by its excavator Flinders Petrie, where hundreds of blue lustrous-glazed shabtis of varying qualities were recovered. This figure is closest in style to those belonging to Petosiris, son of Djed-hor. Both were buried with similar blue lustrous-glazed shabtis that were mostly plain although a few were inscribed with an inscription.