Egyptian Faience Necklace with Pendant

A composition necklace composed of multiple strands of polychrome beads of mainly annular and tubular types. 28 grams total, 82 cm long



Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Red and yellow faience were among the new colours appeared in the 18th Dynasty, but they were in use until the Late Period. It was ideally formed from a core of sand and quartz and a vitreous alkaline glaze. It was the preferred medium of Egyptian jewellers even before the First Dynasty, because of its malleability and its ability to imitate other more expensive materials thanks to the colour of the glaze.

Probably depicting young Harpocrates, holding his weight on his left arm, enormous phallus resting between his spread legs, shaved head and side-lock braid. 319 grams, 13 cm vwide



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

A few early Hellenistic terracotta figures show the ithyphallic youth Harpocrates reclining on his phallus, usually depicted (when preserved) with a bald or shaved head and side-lock, sometimes in Macedonian dress. Some in this form have hermaphrodite-like features, although this may be little more than just the representation of a plump baby. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Carved in the round head with plaster prepared surface; with integral Atef crown ornamented with lateral bronze ostrich plumes and uraeus to the brow; carved facial detailing with broad nose and small mouth; applied bronze braided beard with scrolled tip; ears pierced to accept earrings; mounted on a custom-made stand. 3.62 kg total, 52.5 cm high including stand



Acquired by the family from an antiquities dealer in Egypt, October 1982. Ex Dunkirk Manor, Theescombe, Stroud. Mr F.D. collection, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12513-231999. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

This head likely originates from a large-scale standing figure of the underworld god Osiris. In contrast to the ubiquitous small bronze Osiris figurines found at cult sites throughout Egypt – which were left by pilgrims as votive offerings – large-scale wooden statues are much rarer. Their scarcity is partly due to the fragile nature of wood, which made such statues more susceptible to decay over time, but also because these larger figures were used in more specialised and exclusive ritual contexts. This is evidenced by the significant discovery of a large wooden Osiris statue in a cache of votive objects at Saqqara, associated with a temple shrine. The find suggests that the sizeable image of Osiris played an important role in religious ceremonies in the temple, where it presumably served as the focus of veneration. The Saqqara cache dates no later than the reign of Nectanebo II (360-343 B.C.), whose temple pavement covered it. However, the exact dating of the wooden statue is less certain, with estimates ranging from the New Kingdom to the 26th Dynasty.