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LOT 0448
Egyptian Faience Mummy Beadwork Mask with Sons of Horus
PTOLEMAIC PERIOD, 332-30 B.C.
11 1/4 in. (115 grams, 28.5 cm).
A netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with a false beard, a scarab with extended wings below, and beneath the 'Four Sons of Horus’, Duamutef, Qebehsenuef, Imsety, and Hapy joined together with areas of open netting of tubular examples; restrung with some later beads.
ProvenanceMariaud de Serres, Paris, 1990s.
FootnotesWinged scarabs were often used as funerary amulets, and were believed to symbolise the rebirth and regeneration of the deceased. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. The jackal-headed Duamutef protected the stomach, the falcon-headed Qebehsenuef protected the intestines, the human-headed Imsety protected the liver, and the baboon-headed Hapy protected the lungs. These internal organs were often placed in canopic jars, each with the head of the respective Son of Horus. Amulets depicting these deities were placed within the mummy wrappings.
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AUCTIONS:
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LOT 0448
Egyptian Faience Mummy Beadwork Mask with Sons of Horus
Sold for (Inc. bp): £416
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Egyptian Bronze Sistrum with Bes and Hathor
Roman Period, 30 B.C.-323 A.D.Sold for (Inc. bp): £14,950
The large liturgical rattle with a columnar handle composed of a bifacial figure of Bes standing on a lotus capital, flanked by seated sphinxes, his feathered crown supporting the bust of goddess Hathor wearing a broad collar and a curling wig, two rearing uraei emerging from the sides to support the base of the rattle, both wearing the pschent crown, above the cobras a standing figure of the goddess Hathor in cow form, wearing a tripartite wig and a sun disc between the horns; the rattle with a looped body with flared outer rims and set with three metal rods to accept metal discs, a pair of reclining lions to the base and the top with three felines surrounding a cockerel, and resting one of their front paws on the bird. 1.52 kg, 39.5 cm
German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12348-225588.
The sistrum (seshesh in ancient Egyptian) was a rattle-like musical instrument, played exclusively by women in religious ceremonies. It was often decorated with the bust of the goddess Hathor to whom the sistrum was sacred. Their use continued into the Roman period in ceremonies associated with the cult of Isis. -
Egyptian Bone Ram-Headed Boat with Two Deities
Late Period, 664-332 B.C.Sold for (Inc. bp): £624
Carved in the round reed boat with ram-headed prow, altar amidships surmounted by a horned sun disc and flanked by two baboons standing in adoration; repaired. 10.4 grams, 55 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
This represents a condensed version of a two-dimensional funerary scene of the sun god Re, here represented by the horned disc, in his solar barque, flanked by baboons in an attitude of praise. The boat's ram-headed prow possibly alludes to Re's transformation into a ram during his night-time journey through the Underworld. -
Egyptian Bronze Ibis Attachment
Late Period, 664-332 B.C. or laterEstimate: £200 - 300 (+bp*)
Opening Bid: £100
Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.