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LOT 0430
Egyptian Faience Mummy Bead Mask
LATE PERIOD-PTOLEMAIC PERIOD, CIRCA 664-30 B.C.
8 5/8 in. (40.7 grams, 22 cm).
Openwork beaded panel depicting a mummy mask with tripartite beard, a winged scarab below with the Four Sons of Horus, Hapy, Imsety, Qebehsenuef, and Duamutef below; restrung.
ProvenanceFrom the collection of Mariaud de Serres, Paris, France, 1980s-1990s.
Accompanied by a previously illustrated catalogue card with provenance.
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AUCTIONS:
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Egyptian Clay Overseer Shabti
Late Ramesside Period-early Third Intermediate Period, circa 1200-945 B.C.Sold for (Inc. bp): £208
A mould-made figurine depicting a figure wearing a duplex wig and the projecting apron of an overseer shabti, with defined legs and feet below; the right arm by the side and the left bent across the chest; mounted on a custom-made stand. 44 grams total, 10 cm including stand
From the collection of David Donlan (1947-2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.
Shabtis in daily life dress appeared in the late 18th Dynasty. By the late Ramesside Period, the general form had developed into the so-called “reis” or overseer figure, often depicted holding a whip. This form gained popularity during the subsequent 21st and 22nd Dynasties. Although this shabti lacks a whip, the bent arm is characteristic of those holding such a tool, suggesting that it belongs to the “reis” type. Ideally, there was one overseer shabti for every ten, typically mummiform, “worker” shabtis. -
Egyptian Steatite Bust in a Gold Pendant
Ptolemaic-Roman Period, 2nd century B.C.-2nd century A.D.Sold for (Inc. bp): £1,300
Fragment of a carved panel or vessel depicting a female bust, possibly a queen or Isis, modelled in half-round relief, wearing a loosely draped tunic, a tiered wesekh collar, and a heavy curled, tripartite wig; reverse with lotus flower ropework and other ornamentation; mounted in a later gold suspension frame. 8.75 grams, 38 mm
Private collection, Southern France, 1970s. Acquired on the English art market.
This fragment likely originates from an elaborately decorated bowl belonging to a specific group thought to have been made in Alexandria (cf. Page-Gasser, M., Wiese, A.B., Ägypten: Augenblicke der Ewigkeit, Mainz, 1997, for a complete example). The purpose of these bowls is unclear, but they may have been used as votive offerings in sanctuaries. -
Egyptian Polychrome Wooden Sokar Falcon
Late Period, 664-332 B.C.Sold for (Inc. bp): £312
Statuette depicting the couchant falcon god Sokar with wings folded along the sides of the body; chest, wings, and legs with painted details; inked legend on the underside reading 'Ex George Wathen / 1893 / 12'. 16 grams, 71 mm
Ex George Henry Wathen collection from 1843, who wrote and illustrated the important work 'The Arts, Antiquity and Chronology of Ancient Egypt'. From the collection of David Donlan (1947–2025), a dedicated and lifelong collector with a passion for the ancient world and the natural sciences, forming his collection from 1960s onwards, using many reputable dealers across the United Kingdom, including the well-regarded Coincraft and The Parthenon Gallery.
Wooden images of the raptor-form god Sokar typically decorated the tops of rectangular wooden coffins and canopic chests, which held jars containing the deceased’s mummified organs. Sokar was a protective god of the Memphite necropolis and was often merged with the funerary god Osiris and Ptah, the creator deity of Memphis. George Henry Wathen, FGS (21 November 1816 – 10 November 1879) was a geologist, author, magazine publisher, and South African politician of the Victorian era known primarily for his books on the antiquities of Egypt and the gold fields of Victoria, Australia.