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LOT 0482
Egyptian Faience Mummy Bead Face Mask
LATE DYNASTIC-PTOLEMAIC PERIOD, 664-30 B.C.
5 3/4 in. (41.9 grams, 14.5 cm wide).
In various colours representing a mummy face mask with false beard; restrung.
ProvenanceAcquired 1970s onwards.
Private collection of Michael O'Hara, Cambridgeshire, UK.
Ex private collection of Benjamin Hyde-Smith, Hertfordshire, UK
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AUCTIONS:
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Romano-Egyptian Bronze Crouching Frog Weight
Roman Period, 30 B.C.-323 A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £56
Modelled in the round with naturalistic detailing, on a tabular base. 24.8 grams, 25 mm
‘The Ancient Menagerie Collection’ formerly the property of a Cambridgeshire lady, collected since the 1990s and acquired from auctions and dealers throughout Europe and the USA, now ex London collection. -
Egyptian Mounted Coptic Textile with Hares
Circa 5th-6th century A.D.Sold for (Inc. bp): £78
Comprising a double band for sleeve (segmenta), decorated with vegetal and animal patterns, forming two narrow bands with a vertical succession of stylised spirals of foliage, alternating figures of hares. 94 grams, 43 x 23 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
Tapestry technique of wool on linen. It is highly probable that this tapestry was part of a tunic decoration, a double segmentum, applied on the wrists of the garment and decorating the lower part of the sleeves. -
Egyptian Coptic-Fatimid Mounted Textile with Dancers
Circa 12th century A.D.Sold for (Inc. bp): £130
The woven textile fragment of linen and wool with a large horizontal decorative band depicting octagonal rosettes inscribed in rhomboids; the rosettes divided by stylised columns decorated with foliage elements; the band edged by two lateral segments formed of octagonal rosettes enclosing flowers, bordered with scalloped geometries; at the bottom four stylised dancers. 285 grams, 60 x 35.5 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
It is the lower part of a cloak from the Fatimid era. The end of the Coptic period was characterised by a treatment of eight-lobed rosettes, a current motif in Muslim art. The four dancers are made as simple signs.
