Egyptian Faience Lotus Flower Amulet

Each a penannular band with a barrel-shaped profile. 7.10 grams total, 17 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

Penannular hoop with swivel mount and frame; inset stylised hedgehog scaraboid featuring large, round ears and a protruding snout, with the underside bearing an incuse scarab flanked by rearing snakes. 1.67 grams, 19.01 mm overall, 16.18 mm internal diameter (approximate size British D 1/2, USA 2, Europe 1.78, Japan 1)



UK private collection before 2000. Acquired on the UK art market. Private collection, London, UK.

Rectangular frieze fragment with advancing figure in profile wearing a shendyt kilt holding up two poles in his raised hands; to his rear, part of a second figure with an openwork wooden frame (footstool) and other items; mounted in sturdy wooden frame with suspension rings to the reverse; surface has been extensively cleaned, restored, and repainted. 6.8 kg, 40.5 x 32.2 cm



Mounted in an early 20th-century wooden frame bearing a stamped inscription reading “Exposition Paris …” From the collection of L.V. (1950-1960), Paris, France. Collection of Monsieur X. (1931-2017), dispersed for the benefit of the Monaco Red Cross. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13224-249307.

The servant is carrying geese, like in many other representations of the New Kingdom. Many portrayals of ducks and geese in ancient Egyptian art show the importance of the birds as food. Servants plucking geese are visible in the tomb of Nakht, in Luxor (1567-1320 B.C.), and in the famous tomb of Nebamun, at the British Museum, a fresco fragment shows workers standing in front of a gaggle of geese.