Egyptian Faience Lion's Head Amulet

Mummiform figure wearing a braided beard with chin-straps in relief, broad collar visible between the lappets of the nemes headdress adorned with a double uraeus, the crossed hands holding a hoe and pick, with a seed bag over the left shoulder, his broad face with straight nose, wide-set eyes and large ears, six horizontal lines of inscription, giving a version of Chapter 6 from the Book of the Dead; mounted on a custom-made display stand. 659 grams total, 21 cm including stand



J.J. Klejman, Madison Avenue, New York, USA, 1960s. UK private collection, acquired from the above, 1960s. Bluett and Sons, London, 1979. Sheppard & Cooper, UK, private collection, 1980s. Sheikh Saoud Al-Thani, the 'Princely' private collection, UK. Acquired from the above in 2017. with Sotheby's, London, 5 July 2024, no.126. Accompanied by a copy of the Bluett and Sons invoice, 22 January 1979. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13273-254064.

Of the 1277 shabtis of Senkamenisken found in the king's burial chamber of his pyramid tomb at Nuri (Pyramid 3), 410 are made of serpentine, the remaining 867 of faience. The inscription reads: 'The illuminated one, the Osiris, the good god, lord of the two lands, Sekheper[en]re, true of voice, He says: "O this shabti, if anyone summons the Osiris Senkamenisken, true of voice, in order to do any work which is to be done in the God's Land (i.e. necropolis), to cultivate the fields, to irrigate the canals, to carry sand from the east to the west and vice versa, 'Here I am', you shall say".

Modelled as a domed face of Hathor with small cow-ears and a wig with coiled lappet ends, and an advancing cow on the underside. 10.18 grams, 32 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks.