Egyptian Faience Kneeling Priest Amulet

Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say". 284 grams, 15.1 cm



With Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection. Bonhams, London, 1 May 2013, no.282. Accompanied by copies of the relevant Bonhams catalogue pages. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.

Prince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions.

Rectangular plaque with a ledge along the lower edge, featuring the half-round figures of Ptah, Amun-Ra, and Ra-Horakhty; each invoked in offering formulae written in three vertical columns on the back; a fragmentary suspension loop at the rear; mounted on a wooden display stand. 88.8 grams total, 85 mm including stand



From a deceased American estate, 1970-1989. with Bonhams, London, 28 October 2009, no.81. Private collection, Europe. Accompanied by a copy of an Art Loss Register certificate, no.S00066707. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13190-249206.

Four-strand designer necklace composed of polychrome beads of mainly disc and cylindrical types. 24.65 grams, 61 cm



Acquired before 1979. From the private collection of Mr F.A., South Kensington, London, UK; thence by descent 2014.

For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable, and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.