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LOT 0007
Egyptian Faience Figure of Nefertum
PTOLEMAIC PERIOD, 332-30 B.C.
5 1/8 in. (71 grams total, 13 cm including stand).
In a striding pose with arms at the sides, sporting a black coloured tripartite wig surmounted by the god's distinctive headdress consisting of a lotus flower with two plumes on top; a suspension loop at the back; repaired.
ProvenanceProperty from an American deceased estate, acquired between 1970 and 1989.
with Bonham's, London, 28 October 2009, no.81 [Part].
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Andrews, C., and van Dijk, J., Objects for Eternity: Egyptian Antiquities from the W. Arnold Meijer Collection, Mainz am Rhein, 2006, p.229, no.3.41, for a similar faience figurine.
FootnotesNefertum was closely associated with the creator god Ptah and the goddesses Sekhmet and Bastet. He represented the first sunlight and the sweet scent of the Egyptian blue lotus flower (nymphaea caerulea). According to beliefs, the sun rose from the bloom of a blue lotus, embodying notions of rebirth and rejuvenation. Additionally, as the lotus was seen as a symbol of fertility, it is possible that this amulet was also worn for that purpose.
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AUCTIONS:
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LOT 0007
Egyptian Faience Figure of Nefertum
Estimate £500 - 700€580 - 810 (for guidance only)$680 - 950 (for guidance only)
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Egyptian Green Glazed Steatite Syncretic Amulet of Mut
Third Intermediate Period, circa 1069-735 B.C.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Modelled in the round, formed as the goddess standing before a high-backed throne cradling the head of a standing naked child to her chest; the goddess with tiered double-crown and tripartite wig; throne with low-relief figure of the lioness-headed goddess Sekhmet to the rear with spread wings forming the arms of the chair. 22.6 grams, 61 mm
with Jean-Phillipe Mariaud de Serres, Paris, France. Private collection, London, UK, acquired from the above in 1992. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12633-235083. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Mut was a prominent mother goddess in ancient Egyptian religion, associated with creation, motherhood, and the sky. She was the consort of the god Amun and the mother of Khonsu, forming the Theban triad with them in Thebes. Mut's name ("mother" in ancient Egyptian), reflects her role as a divine mother and patroness of motherhood. Sekhmet was revered as a powerful and fierce protector. Her presence was believed to ward off evil and safeguard the people from harm. In ancient Egyptian mythology, Sekhmet was also a manifestation of Hathor, another powerful birth goddess. -
Egyptian Faience Ushabti
2nd millennium B.C.Estimate: £2,000 - 3,000 (‡+bp*)
Opening Bid: £1,000
Mummiform figure with black-pigment facial detailing, sidelock, tripartite wig, dorsal seed-net, tiered collar and vertical panel of hieroglyphic text. 134 grams, 15 cm
Acquired in the mid 1980s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12848-241648. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Phoenician Glass Bead Collection
6th-3rd century B.C. or laterEstimate: £1,000 - 1,400 (+bp*)
Opening Bid: £500
Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks.
