Egyptian Faience Figure of Nefertum

A composition necklace composed of multiple strands of polychrome beads of mainly annular and tubular types. 28 grams total, 82 cm long



Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Red and yellow faience were among the new colours appeared in the 18th Dynasty, but they were in use until the Late Period. It was ideally formed from a core of sand and quartz and a vitreous alkaline glaze. It was the preferred medium of Egyptian jewellers even before the First Dynasty, because of its malleability and its ability to imitate other more expensive materials thanks to the colour of the glaze.

Representing a slave or a dwarf in a crouched position, dressed in a short tunic leaving the left shoulder uncovered (exomis), a large curving phallus emerging from underneath the tunic topped with a large apotropaic eye; accompanied by a display stand. 64 grams, 81 mm (80 grams total, 10 cm high including stand)



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Except for the enormous phallus, the figure is human in all aspects. The apotropaic aspect, symbolised also by the eye, is combined with the erotic. It should be pointed out that according to the physiognomic conceptions held in the ancient world, from the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were a development of the Hellenistic interest in the human body and its imperfections. They range from representations of individuals with clinically diagnosable disfigurements to those with exaggerated physical features. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organizer. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Band of imitation rope-twist decoration encircling the top of the jar, the mouth slightly flaring with a slightly damaged rolled lip. 950 grams, 22 cm



with Bonhams, London, 1 May 2008, no.432 [Part]. Accompanied by a copy of an Art Loss Register certificate no.S00035996. Accompanied by a copy of relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

These vessels often exhibit different surface treatments; the rim and area above the rope twist show marks where the vessel was rotated to produce the rim, and below, the rest of the jar has a scrape-smoothed surface.