Egyptian Faience Figure of Bes

A vibrant blue-glazed mummiform shabti of princess Nesitanebisheru, daughter of Pinudjem II, on a custom-made display stand; modelled with arms crossed over the chest, holding a hoe in each hand, wearing a tripartite wig; netted seed bag painted on the back; the bottom half of the figure bearing eight columns of hieroglyphic text in black giving a version of the shabti spell reading: (1) The illuminated one, the Osiris Nesitanebisheru, she says: (2) ‘O this shabti, if one counts, if one reckons to do (3) for the Osiris Nesitanebisheru, to cultivate the fields, (4) to irrigate the riparian lands, to transport by boat the sand of (5) the east (to) the west and vice-versa – now indeed obstacles are implanted (6) therewith – as a man at his duties (to do for ?) (7) the Osiris Nesitanebisheru, to do all the works that are to be done (8) in God’s land at any time to serve, ‘here I am,’ (you shall say). 314 grams total, 16.5 cm high including stand



The object comes from the well known Deir el-Bahari cache (near Thebes) first discovered in 1870. Ex Zurich Antiquities Fair. Ex R. Liechti, Geneva, acquired from the above. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11598-198961.

Nesitanebisheru’s burial was discovered in the famous ‘Royal Cache I’ at Deir el-Bahari (DB 320), with many dozens of coffins and vast quantities of funerary equipment belonging to pharaohs, including Thutmose III and Ramesses II, queens, and other royals, as well as elite members of society that had been reburied by Amun priests to hide them from tomb robbers. Nesitanebisheru’s coffin and burial equipment, including her shabtis, were found at the very end of the c. 70m long tomb in a chamber which served as a family vault for her father, the High Priest of Amun, Pinudjem II, and his principal wife Neskhons. While her worker shabtis are all mostly similar in style with 6-8 text columns, the composition of their inscriptions are not consistent with different openings and variations to the content (often including several peculiarities). Curiously, her titles do not appear in her shabti inscription, unlike those for her mother.

A blue glazed composition figure of the advancing god Ra (possibly Ra-Horakhty), falcon-headed and wearing a sun disc, set on an integral rectangular base, left leg positioned in front of the right, arms held straight by his sides, wearing a wig and kilt; tapering pillar with suspension loop behind solar disc; repaired. 18.4 grams, 87 mm high



Acquired from Dr Jan Beekmans, circa 1982. UK private collection.

In ancient Egypt, Ra sat as the king of all the deities and the father of all creation, the god who could not only govern the sun, but who transformed himself into the sun. He was associated with the falcon, hence he is typically portrayed as a human with a falcon's head. The major cultic centre for Ra was the ancient city Iwnw, known as Heliopolis to the Greeks, which today lies under modern Cairo. The ancient Egyptians were an agricultural society inhabiting a desert; the sun (and thus Ra) was an integral component of their world view. Placed on the chest of the deceased, this amulet offered the wearer the chance of eternal renewal each morning with the sun.

A silver amuletic pendant formed as a perching falcon with integral suspension loop. 3.47 grams, 18 mm high



London, UK, art market, 1980s. From the collection of G.M.R.H., London, UK.