Loading, please wait...
LOT 0468
Egyptian Faience Eye of Horus Amulet
LATE PERIOD, 664-332 B.C.
1 in. (2.28 grams, 23 mm).
Openwork wedjat eye amulet with black and white inlay to the eye, with a rearing cobra wearing a sun disc crown at the front.
ProvenanceFrom an early 20th century collection.
Ex London, UK, gallery.
From a private UK collection
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Andrews, C., Amulets of Ancient Egypt, London, 1994, pp. 38-39, 46j, for a stone example of similar style.
FootnotesThe wedjat-eye amulet (also called the Eye of Horus) became one of the most recognisable symbols in ancient Egyptian culture. It represents the idea of protection, healing, and restoration. In myth, Horus lost his eye during his battle with Seth, and it was later magically restored, symbolising healing and the restoration of wholeness. The Eye of Horus came to represent divine power and protection and was often used in amulets for safeguarding and well-being.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Egyptian Alabaster Cosmetic Jar
Dynasty 1, circa 3050-2890 B.C.Sold for (Inc. bp): £468
With narrow base, curved sidewall and rolled rim, two lateral pierced lug handles. 413 grams, 11 cm
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
.jpg)
Egyptian Amarna Sandstone Relief Fragment
New Kingdom, 18th Dynasty, 14th century B.C.Sold for (Inc. bp): £15,600
Rectangular in plan with irregular left and lower edge; carved in low-relief in two registers with narrow border; lower register - plain with cream-white pigment; upper register – a combat or possibly post battle or tribute scene depicting two profile male heads with stern features, lentoid eye, strong mouth and chin, wearing brow-bands, probably Western Asiatics; with the leg of a kneeling(?) figure to the right; the reverse dressed but undecorated; two modern mounting holes to the long edge. 5.11 kg, 33 cm
Private collection, 1980s. Private European collection, 2008. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12853-241665. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Scenes of captured enemies and especially foreign envoys in audience with the pharaoh depict figures in various humiliating, supplicatory poses, including prostration and kneeling. -
Egyptian Stone Two-Handled Cosmetic Jar
Late Predynastic-early Dynastic Period, 3100-2850 B.C.Sold for (Inc. bp): £572
Barrel-shaped in profile with low rim and two lateral pierced lug handles. 103 grams, 53 mm
From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
