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LOT 0468
Egyptian Faience Eye of Horus Amulet
LATE PERIOD, 664-332 B.C.
1 in. (2.28 grams, 23 mm).
Openwork wedjat eye amulet with black and white inlay to the eye, with a rearing cobra wearing a sun disc crown at the front.
ProvenanceFrom an early 20th century collection.
Ex London, UK, gallery.
From a private UK collection
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Andrews, C., Amulets of Ancient Egypt, London, 1994, pp. 38-39, 46j, for a stone example of similar style.
FootnotesThe wedjat-eye amulet (also called the Eye of Horus) became one of the most recognisable symbols in ancient Egyptian culture. It represents the idea of protection, healing, and restoration. In myth, Horus lost his eye during his battle with Seth, and it was later magically restored, symbolising healing and the restoration of wholeness. The Eye of Horus came to represent divine power and protection and was often used in amulets for safeguarding and well-being.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience and Hardstone Amulet Group
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £221
Including two wedjat eyes, a seated baboon, plumb bob, uraeus, scarab, falcon, recumbent lion, suckling sow (representing Nut), and a fringe-edged disc bead. 8.08 grams total, 9-18 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Haematite Mace Head
4th-3rd millennium B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high
Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné. -
Egyptian Terracotta Cylindrical Jar
Early Dynastic Period, Naqada IIIC, circa 3100 B.C.Sold for (Inc. bp): £520
Band of imitation rope-twist decoration encircling the top of the jar, the mouth slightly flaring with a slightly damaged rolled lip. 950 grams, 22 cm
with Bonhams, London, 1 May 2008, no.432 [Part]. Accompanied by a copy of an Art Loss Register certificate no.S00035996. Accompanied by a copy of relevant Bonhams catalogue pages. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
These vessels often exhibit different surface treatments; the rim and area above the rope twist show marks where the vessel was rotated to produce the rim, and below, the rest of the jar has a scrape-smoothed surface.
