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LOT 0545
Egyptian Faience Bead with Eye of Horus and Ankh Symbols
LATE PERIOD, 664-332 B.C.
1/2 in. (2.09 grams, 14 mm).
Barrel-shaped bead with blue glaze, wedjat and ankh in black glaze.
ProvenanceFrom an early 20th century collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The wedjat-eye amulet is a representation of the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. It was very popular and used by both the living and the dead.
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AUCTIONS:
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LOT 0545
Egyptian Faience Bead with Eye of Horus and Ankh Symbols
Estimate £100 - 140€120 - 160 (for guidance only)$140 - 190 (for guidance only)
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Egyptian Carnelian Frog Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £572
Carved in the round, pierced through the body for suspension. 298 grams, 19 mm
UK private collection before 2000. Acquired on the UK art market. Private collection, London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Frog amulets in ancient Egypt symbolised fertility, rebirth, and regeneration. Associated with the goddess Heqet, linked to childbirth and life-giving forces, these amulets were especially popular in contexts related to fertility and protection during pregnancy and childbirth. Their connection to the annual Nile flood, which brought new life to the land, further reinforced their symbolism of renewal and abundance. -
Egyptian Haematite Mace Head
4th-3rd millennium B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high
Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné. -
Egyptian Faience Crouching Goddess Amulet
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £65
Formed as a nude Aphrodite crouching on a square base, her hands raised to dress her hair; socket to reverse. 9.25 grams, 42 mm
Acquired on the UK art market during the late 20th century. From the private collection of David King (1940-2024), Hoddesdon, Hertfordshire, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.