Egyptian Faience Bead Necklace

The round-section hoop tapering towards the bezel where the arms overlap and form coil sleeves around the opposite shoulder, gold fly attached to the bezel with two mounting loops, with simple detailing to the upper body, possibly incorporating a human face; possibly a marriage. 5.28 grams, 27.27 mm overall, 19.10 mm internal diameter (approximate size British S 1/2, USA 9 1/4, Europe 20.63, Japan 19)



Acquired in the late 1980s-early 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11847-204562.

The gold fly was an emblem of valour.

A very thick, almost domed flint hand axe or heavy scraper formed on a blade core with the perimeter edges finely knapped; with illegible label and custom-made display stand. 390 grams total, 13 cm including stand



From the collection of Robert De Rustafjell (1876-1943), acquired in Thebes prior to 1909. Deaccessioned from The Heckscher Museum of Art, Long Island, NY. Private New Jersey collection.

Comprising a large fragment with a vertical band (clavus) from a garment, woven in linen and green, blue, yellow and red wool, embroidered with circular patterns filled with vegetal figures and arabesques, alternating with two parallel rows of running animals (hounds?), edged by a red border, a further band of foliage decoration. 163 grams, 59 x 24.5 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Tapestry technique on natural linen. It is highly probable that this tapestry was part of a long decorated tunic, a clavus running vertically on the breast and on the back of it, and having a parallel clavus on the other side. Tunic decoration conformed to a specific layout with the back mirroring the front. Matching bands called clavi ran on either side of the neck. They could be full length, like our specimen, or stop above the waistline.