Egyptian Faience Bead Mummy Face Mask

Round-topped stela with decoration on two registers; the lunette, featuring a winged sun disc with pendant uraei; the main panel with a frieze in sunk relief depicting the pharaoh wearing the double crown, facing left offering the hieroglyphic symbol for 'fields'; a goddess stands behind him, possibly Isis, wearing a tight-fitting robe and sporting a tall two-plumed headdress, with one hand raised in praise; facing the pharaoh is the falcon-headed god, possibly Horus or Her-wer, wearing a double-crown, and behind him stands the ibis-headed Thoth wearing the Atef crown, both gods hold a was-sceptre; repaired, mounted on a custom-made stand. 19.45 kg total, 55 cm including stand



Acquired in the mid-1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12200-222172. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The overall tripartite composition is comparable to numerous stelae of the Ptolemaic Period and can be dated to the 3rd-2nd century B.C. The decorative lunette and/or sky bands and bold sunk relief winged sun disc are characteristic of this period, as is the fringed detailing of the female’s garment. The offering of the ‘field’ symbol is also a frequent depiction of the stelae of this period, which can be understood as a ‘catch-all’ device representing an offering of all the produce from the fields. Such stelae were often produced as stock products to which clients would have their names and other details added. Therefore, the stela is likely an example of one awaiting purchase. After the purchase, the hieroglyphic labels would be added to the figurative tableau, and a dedicatory text would be carved into the plain rectangle in the lower part. Sometimes, however, it appears that a purchaser could not afford the additional expense of a professionally engraved inscription, and so would scratch a short dedication in the lower panel as seen, for example, in the stela for Horudja from the Delta site of Tanis and now in the Musée du Louvre (inv. no. AF 11682).

An element from a necklace in the form of Horus in falcon form sitting atop the palace façade motif (serekh). 0.71 grams, 10 mm



From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Examples of this distinctive motif can be traced back to the very beginning of Egyptian history. It represents the recessed niches of royal and religious architecture, and served as a device to contain the Horus name of the king. The most notable example of jewellery incorporating this motif is the elaborate bracelet found in the tomb of King Djer at Abydos, which is composed of alternating turquoise and gold falcon-topped serekhs. Similar examples of this element occur as late as the Ptolemaic Period.

Mixed group, mainly decorative elements (clavi, orbiculi, tabulae) from various tunics made in late Antiquity; decoration partly figural (animals and mythical hybrid creatures, mostly in a separate tondo or panel) and partly ornamental (interlace patterns, lozenges, pomegranate borders, chevrons, heart-shaped leaves). 450 grams total, 12.5-65.5 cm



with Christie's London, 27 April 1976, no.91 & 92. Accompanied by a copy of an Art Loss Register certificate no.S00136676. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.