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LOT 0520
Egyptian Faience Bastet Cat Amulet Collection
NEW KINGDOM, 1550-1070 B.C. AND LATER
1 7/8 - 2 in. (83 grams total, 47-52 mm including stands).
Pale yellow, turquoise, and blue faience seated cat figures, each shown on a base plinth and with a suspension loop behind the head. [3]
ProvenanceCollection of a Lady, circa 1940.
From a specialist collection.
Cf. Lacovara, P., and Markowitz, Y.J., Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum, Worcester MA, 2020, pp. 108-109, for examples of similar cat amulets.
FootnotesIn ancient Egypt, the cat was revered as the sacred animal of the goddess Bastet, whose main cult centre was Bubastis in the Nile Delta. Although cats were once part of folk customs, their formal worship expanded across Egypt during the Late Period. Bastet was closely connected to lion-headed goddesses such as Sekhmet, Tefnut, and Pakhet, and the cat itself became linked to solar imagery: the Book of the Dead depicts the sun god as a Great Cat defeating Apophis beneath the sacred Ished Tree. The cat could also represent the Eye of the Sun or, more commonly in Bastet’s case, the Eye of the Moon. Mummified cats were often offered as votive offerings, and some were decorated with finely crafted bronze heads to emphasise their divine likeness.
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AUCTIONS:
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LOT 0520
Egyptian Faience Bastet Cat Amulet Collection
Estimate £1,200 - 1,700€1,390 - 1,970 (for guidance only)$1,620 - 2,300 (for guidance only)
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Egyptian Heart Scarab Group
Late Period, 664-332 B.C.Estimate: £140 - 180 (+bp*)
Opening Bid: £70
Comprising two scarabs with striated wing cases and ribbed underside. 7.5 grams total, 18-20 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
The scarab amulet was a powerful symbol of rebirth, transformation, and protection in ancient Egypt. Modelled after the beetle linked to the sun god Khepri, it represented the cycle of life and regeneration. Used from the Middle Kingdom (c. 2050 BCE) onwards, scarabs served as funerary amulets, personal charms, and seals—often inscribed with prayers or names—reflecting both spiritual beliefs and daily life. -
Egyptian Bronze Seated Harpocrates
Late Period, 664-332 B.C.Estimate: £900 - 1,200 (+bp*)
Opening Bid: £475
Substantial cast figurine modelled in the round of Harpocrates sitting with hands on his thighs, double crown and sidelock. 389 grams, 16.2 cm
From the collection of a gentleman, acquired on the London art market in the 1990s.
Harpocrates is the Greek rendering of the Egyptian Hor-pa-khered, which means ‘Horus the Child’. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to give the wearer the same protection that Isis offered to her beloved son. Larger bronze statuettes probably served as votive offerings to Harpocrates to secure his favour and protection. -
Egyptian Faience Mayhes Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £520
Standing erect with dorsal pillar and rectangular base, arms straight and one leg advancing; lion-head wearing atef crown and a uraeus; mounted on a custom-made stand. 50.8 grams total, 84 mm including stand
Ex early 20th century London, UK, collection.
Mahes was an Egyptian lion-headed deity linked to divine protection, royal authority, and retributive justice. Considered a son of the goddess Bastet—or, in some traditions, Sekhmet—he embodied the fierce, solar power of the sun god Re and served as a fierce protector of cosmic order. Mahes was especially venerated in the Delta region, notably at Leontopolis, where his leonine form highlighted his role as a guardian and destroyer of enemies. Iconographically, he is commonly depicted as a lion or, as here, a man with a lion’s head, wearing an atef- crown.
