Egyptian Faience and Gold Bead Bracelet

Fragment from a representation of the nude Aphrodite in high-relief, crouching with her left knee raised and her right knee touching the ground, holding her long hair with her hands and wearing a diadem on her head; an appliqué from a vessel with minor filling at the right thigh. 85 grams, 86 mm



Private collection, Somerset, England. with M.B., Los Angeles County, acquired 2014-2015 at a sale in the UK. with Ancient Resource, USA, Auction 70, 06 October 2018, no.7. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12827-240895.

Representing a slave or a dwarf in a crouched position, dressed in a short tunic leaving the left shoulder uncovered (exomis), a large curving phallus emerging from underneath the tunic topped with a large apotropaic eye; accompanied by a display stand. 64 grams, 81 mm (80 grams total, 10 cm high including stand)



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s.

Except for the enormous phallus, the figure is human in all aspects. The apotropaic aspect, symbolised also by the eye, is combined with the erotic. It should be pointed out that according to the physiognomic conceptions held in the ancient world, from the 4th century B.C. onwards, small-scale sculptures developed a rich repertoire of grotesque types. These so-called grotesques were a development of the Hellenistic interest in the human body and its imperfections. They range from representations of individuals with clinically diagnosable disfigurements to those with exaggerated physical features. According to some scholars, terracotta (and bronze) figurines of this kind were life-like representations of beggars and others who gathered at big feasts in temples or at the houses of the wealthy. In the latter case, they indicated the importance and wealth of the host because the more beggars an event attracted, the greater the fortune of the event organizer. By implication, the bronze and terracotta portraits of these marginal people could have become symbols and charms of good luck that would have been placed in private houses. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Comprising the upper part of the mummiform figure with the arms crossed at the chest and holding agricultural implements in each hand, wearing a tripartite wig with a headband with ties hanging down at the back; a seed bag suspended below the wig; the outline of the hoes, striations on the wig and the seed bag painted black; a central column of hieroglyphs on the front; mounted on a display stand. 125 grams total, 13 cm including stand



Ex Shropshire, UK, collection. From a Cambridgeshire, UK, collection.