Egyptian Faience Amulet Representing Sobek

Plano-convex in section with lateral folded legs, lower end of the sidelock at the shoulder, phallus extended across the body. 383 grams, 13 cm



Acquired in London, UK, 1980. From the collection of G.M.R.H., London, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.

A fragmentary rectangular-section figure of a kneeling goddess with outstretched wings; accurate detailing to the goddess, wearing a tripartite wig with a seshed headband tied at the back, a menat broad collar and a tightly wrapped sheath held up by two straps leaving the breasts exposed, the dress decorated with a lozenge pattern possibly representing beadwork. 15.3 grams, 54 mm



Swiss private collection, 1970s. Galerie Nefer, Zurich, early 1990s. with Christie's New York, 9 December 2008, no.39. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12843-241338. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Although it is not possible to spot holes in the upper and lower edges, this figure was probably a pectoral or chest ornament with an apotropaic function that would have been attached to the wrapping of the mummy.