Egyptian Faience Amulet of an Ibis

Displaying semi-naturalistic detailing in relief, beneath a band of headdress ornament composed of rows of architectural dot-and-dash and zig-zag patterns over a segmental panel, possible hieroglyphs to the top tier; attachment pegs to the sides of the face and through the head; extensive remains of painted black pigmentation and composition fill to the eyes. 677 grams, 36 cm



From a French estate, acquired between 1960 and 1980. with SAS Cornette de Saint Cyr Auction, Paris, Vente 882, Mobilier et Objets d'art, 2 December 2014, lot 69. Accompanied by a copy of a French cultural passport no.167062. Accompanied by an academic report by Dr Alberto Maria Pollastrini. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11807-206837. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Depicted wearing a long sleeveless vestis talaris with a V-opening, on the head a high propoloma falling on her shoulders, ears pierced to accept earrings, right arm raised and legs bent at knees. 642 grams, 19.2 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Baubo was a minor divinity in Greek mythology, linked to the cult of Demeter and Persephone. The statuette belongs to the second type of Baubo figurines, widespread in the last Ptolemaic and Roman period in Egypt. The Egyptian Baubos are split into two groups, and this one belongs to the first group depicting a woman seating frontally whilst holding a musical instrument or with the open hand in blessing gesture. Many of them were used as amulets or as ex-voto. Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Standing in advancing pose on a rectangular base; the god modelled with a disc representing the full-moon surmounting a crescent new moon atop his head and fronted by a uraeus, the falcon-head sports a finely striated tripartite wig and with beaded silver wire frames to the (once inlaid) eyes; wearing a broad wesekh collar; the left arm bent and fist drilled to grip a staff, right arm straight to the side with similar drilled fist; pleated shendyt kilt and belt to the hips; mounted on a tiered socle base. 896 grams total, 27 cm including stand

Very fine condition.

Smith family collection, Cambridge, UK since 1949. Private UK collection since 1978. Accompanied by a scholarly note by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11033-183985. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The moon god Khonsu (whose name means 'wanderer', referring to the passage of the moon across the sky) is known as a blood-thirsty sky-deity in the Pyramid Texts. In New Kingdom Thebes, however, he was regarded as a far more benevolent deity, being the child of Amun and Mut, and provided with his own temple at Karnak. There, he was considered to control destiny. Khonsu can appear in human form with a side-lock of youth, wearing an enveloping garment, and holding royal regalia, and also as a falcon-headed man with the full moon and crescent new moon headdress, as with this fine example. In his falcon-headed form he frequently holds an ankh symbol and a was-sceptre, for which the hands of this piece were drilled to accept the god's well-known attributes.