Egyptian Faience Amulet Group

Irregular glass panel fragment with inlaid mosaic eye motifs; repaired. 1.57 grams, 18 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

A fitting or pommel made for King Ramesses II, his throne name (User-Maat-Re Setep-en-Re) inscribed within a cartouche topped by two ostrich feathers framing a solar disc; the cartouche positioned above the hieroglyphic sign nbw, which signifying 'gold' and alluded to the luminous radiance of the royal name; two uraei flanking the cartouche, wearing the White Crown of Upper Egypt and the Red Crown of Lower Egypt, respectively; the throne name roughly translating as 'The justice of Re is powerful, chosen of Re'; a square-shaped socket located at the back for attachment; mounted on a custom-made display stand. 475 grams total, 14 cm including stand



Formerly with G. Janes, Manchester, UK and collection Galerie Nefer. Previously with Cybele Galerie Librairie Egyptologie, Paris, France. From an important English collection. Accompanied by an academic report by Dr Alberto Maria Pollastrini. Accompanied by a copy of the Cybele invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10740-177442.

The epithet part of the throne name Setep en Re appears in Ramesses II's royal titulary from Year 2 of his reign. The two rearing cobras, which symbolise the goddesses Nekhbet and Wadjet, also represent the unity of the Two Lands under Ramesses II's rule. A similar green faience fitting bearing Ramesses II's throne name is kept in the Archaeological Collection of Zürich (inv. no. 3702). Similar objects linked to the 18th Dynasty kings Akhenaten and Ay show that such fittings were not limited to the 19th Dynasty. They may even have influenced later designs, as the fitting of King Ay, possibly from a piece of heirloom furniture, was found among the tomb goods of Nefertari, Ramesses II’s “Chief Queen”.

Globular body with short socket and thickened rim; accompanied by a custom-made display stand. 457 grams total, mace: 60 mm high



Ex Norman Fargo collection. with Olympia Auctions, 26 June 2024, no.119. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Norman Fargo was born in Los Angeles, California in 1945, the son of Hungarian immigrant Frank and his wife, Rose. His lifelong passion for collecting began at the age of six with a simple interest in rocks. By the 1960s, Norman had become a dedicated student of antique arms and armour, developing a deep appreciation for both craftsmanship and historical context. He began collecting at a time when many items now considered rare were still relatively accessible. A friendship with renowned collector Howard Curtis—whose important collection was partially sold at Christie’s, London in 1984—opened doors to early and exceptional material. Norman also acquired outstanding pieces from respected figures such as Frank Bivens and others known today through museum and auction catalogue provenance. Alongside his core collection of arms and armour (c.1450-1700), Norman developed an eye for period furniture and accessories. He also built a growing collection of Pre-Columbian art with an emphasis on Southern Mexican cultures, particularly Veracruz, as well as fine examples of Japanese Satsuma ware and cloisonné.