Egyptian Deep Blue Glazed Faience Eye of Horus Amulet

Modelled in the round seated figure with phallus slung over his shoulders; mounted on a custom-made stand. 207 grams, 10.1 cm (235 grams total, 12.8 cm including stand)



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

Comprising three figures to represent a calving scene: a standing cow or other quadruped giving birth to its young, its head, neck and forelegs emerging from the mother's rear, both with a black and white speckled coat; a standing male figure with articulated arms and pierced hands, wearing a kilt and cropped wig and with stylised facial detailing; a kneeling figure also with articulated arms, open-palm hands, wearing a kilt and cropped wig, stylised facial features; extensive remains of polychrome pigment. 113 grams total, 9.5-16 cm



From an early 20th century Home Counties collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11597-199209. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Such models would have been deposited in tombs; the purpose of such a scene was probably to evoke the season of spring, when calves were born, and the floodplain where farmers lived and raised their livestock.

On a wedge-shaped base and decorated in turquoise glaze; the ibis's beak resting on a diminutive figure of the goddess Maat; suspension loop on the neck of the bird; collector's inventory number E509' on the underside; accompanied by a custom-made display base. 22 grams total, 43 mm wide including stand



Ex Reine Margot, 1973. Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

In the judgment of the dead (Book of the Dead, saying 125), Thoth, who is often represented in ibis form, records the result of weighing the heart of the deceased. The god is therefore mostly depicted in connection with the goddess Maat, whose feather was used as a counterbalance to the purity of the heart; such amulets were thus aimed at protecting the deceased from failing in the decision of the court of the dead.