Loading, please wait...
Details
LOT 0495
Egyptian Carnelian Fly Amulet
LATE PERIOD, 664-332 B.C.
1/2 in. (0.32 grams, 12 mm).
Carved with simple body and eye detailing and polished; drilled through the eyes for suspension. [No Reserve]
Provenance
Ex North London, UK, gallery, early 2000s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Literature
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pp.62-3.
Footnotes
Egyptian artists often depicted fly whisks with pharaohs and officials, suggesting flies were just nuisances. In reality, Egyptians valued flies for their speed and persistence. Small fly amulets appeared around 3200 B.C. in Naqada II burials, gaining popularity and varying materials during the New Kingdom, including gold, silver, lapis lazuli, carnelian, amethyst, faience, and gemstones. These amulets were thought to protect against insect bites and troublesome creatures via apotropaic magic and possibly symbolised fecundity. Pharaohs awarded gold fly-shaped pendants to honour soldiers' bravery in battle.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
.jpg)
Egyptian Bronze Cobra Mount
Late Period, 6th century B.C.Estimate: £800 - 1,000 (‡+bp*)
Opening Bid: £400
Cobra-shaped mount with head raised and hood expanded, two mounting studs to the reverse; mounted on a custom-made stand. 182 grams, 22 cm
Private Israeli collection. Ex Archaeological Center, Tel Aviv, Israel, 2015. Private European collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The mount quite possibly adorned the Atef crown of a statue of Osiris. -
Egyptian Pre-Dynastic Greywacke Palette
Predynastic Period, Naqada III, circa 3300–2960 B.C.Sold for (Inc. bp): £468
Circular in plan with smoothed faces, pierced through the edge. 238 grams, 13.3 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Palettes were utilitarian objects used in the Predynastic Period to grind and mix mineral-based eye pigments (including ochre, malachite, and haematite). Greywacke cosmetic palettes were easily carved in various shapes and sizes, including zoomorphic representations and geometric forms. The symbolism of this circular palette may be connected to the sun disc, which featured prominently in ancient Egyptian culture. The palette was so significant in Predynastic society that purely ceremonial versions, often impractically large for their original purpose, were produced for use in temple rituals. The most famous is the highly decorated Narmer Palette discovered at Hierakonpolis. -
Phoenician Bone Sphinx
5th century B.C.Estimate: £800 - 1,000 (‡+bp*)
Opening Bid: £400
Seated with curving wings flanking the body and stocky body resting on over-sized lion-paws, small female head with rounded facial features and curly hair; hollow inside. 21.2 grams, 35 mm
Ex Dr Leo Mildenberg, Zurich, 1990s. with Galerie Rhéa, Zurich, Switzerland. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Leo Mildenberg (1913–2001) was a distinguished numismatist and antiquities collector, widely recognised for his deep passion for ancient art, especially animal figures. Born in Germany and later based in Switzerland, Mildenberg built a renowned private collection that reflected his keen eye for craftsmanship and historical significance. His collection spanned cultures and periods, including Egyptian, Near Eastern, Greek, and Roman artefacts, with a particular emphasis on zoomorphic sculptures and votive figures. Portions of Mildenberg’s collection have been exhibited in major museums and featured in auction catalogues that remain important reference sources for scholars and collectors alike.
