Egyptian Carnelian Fly Amulet

Comprising annular and cylindrical beads in various colours, interspersed with four lotus-flower pendants. 24.2 grams, 104 cm



P.S., Netherlands, 1985. Ex Sands of Time U.S.A. with Treasuregate Gallery, 11 June 2015, Netherlands. Accompanied by a copy of an Art Loss Register certificate no.S00105718. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The most common type of collars based on pendants found at various localities, was mainly composed of pendants imitating plant forms. The terminals of surviving collars of this design are usually triangular, representing lotus flowers, or rectangular, decorated with plant designs or spirals.

Hollow-formed figure modelled in the half-round with left arm raised and right arm bent carrying a vessel; piled hairstyle with lunar motif above; hole to the reverse. 220 grams, 19.5 cm



The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica, spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind.

An over-life-size head of a pharaoh, likely from a monumental sphinx, wearing the royal nemes headdress with a prominent headband and the remains of a rearing uraeus on the brow with a single coil of the body on either side of the cobra’s hood, its tail extending towards the back of the headdress; the large, almond-shaped eyes prominently outlined, and unlike on some portraits, the cosmetic lines do not extend beyond the outer corner; the fragmentary nose almost spanning the width of the small mouth modelled with straight and somewhat pursed lips; mounted on a custom-made display stand. 45.15 kg, 43 cm



Private collection, Germany, 1975. European collection, 1980s-late 1990s. By descent from the above to the present owner. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12201-218142. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.

The presence of tool marks around the neck and sides of the head, contrasting the smooth surface of the face and front part of the headdress, suggests that the sculpture is an unfinished piece. The noticeably heavy brow line is a feature of the 30th Dynasty style, which then influenced Ptolemaic royal portraiture (cf. Tomoum, N., The Sculptors' Models of the Late and Ptolemaic Periods, Cairo, 2006, pl.17, for a finished portrait assigned to the 30th Dynasty).