Egyptian Carnelian Fly Amulet

The large liturgical rattle with a columnar handle composed of a bifacial figure of Bes standing on a lotus capital, flanked by seated sphinxes, his feathered crown supporting the bust of goddess Hathor wearing a broad collar and a curling wig, two rearing uraei emerging from the sides to support the base of the rattle, both wearing the pschent crown, above the cobras a standing figure of the goddess Hathor in cow form, wearing a tripartite wig and a sun disc between the horns; the rattle with a looped body with flared outer rims and set with three metal rods to accept metal discs, a pair of reclining lions to the base and the top with three felines surrounding a cockerel, and resting one of their front paws on the bird. 1.52 kg, 39.5 cm



German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12348-225588.

The sistrum (seshesh in ancient Egyptian) was a rattle-like musical instrument, played exclusively by women in religious ceremonies. It was often decorated with the bust of the goddess Hathor to whom the sistrum was sacred. Their use continued into the Roman period in ceremonies associated with the cult of Isis.

Restrung using turquoise tubular beads interspersed with annular beads of various colours and graduated polychrome petal-shaped beads, some with a loop at each end. 9.19 grams, 52 cm long



From an early 20th century UK collection. Accompanied by a previous typed cataloguing card.

Group of restrung annular turquoise beads with gilt-metal interstitial collars and carnelian fly amulets; S-hook and eye closure; with custom display box. 10.45 grams, 48.5 cm long



Ex Swiss collection, kept in London since the 1980s. Accompanied by a copy of a previous illustrated catalogue page.

Since Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were simply a nuisance. However, the Egyptians held flies in high regard due to their quick speed, reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, c. 3200 B.C. These amulets grew in popularity, and the materials used to make them expanded during the New Kingdom, including gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. Fly amulets were believed to protect against insect bites and to ward off troublesome airborne creatures through apotropaic magic. Some believe they may have even been intended to symbolise the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and fly-like persistence of soldiers in battle.