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LOT 0032
Egyptian Bust of Ptah
LATE PERIOD, 26TH-30TH DYNASTY, CIRCA 664-343 B.C.
8 3/4 in. (1.39 kg total, 22.3 cm high including stand).
A white limestone figure of the god Ptah with false beard, wearing an enveloping cloak and a broad wesekh-collar, holding the shaft of a was sceptre; serene, oval face with almond-shaped eyes and fleshy lips; remnants of dorsal pillar to reverse; mounted on a custom-made display stand.
ProvenanceEx private Belgium collection, 1960s.
with Vanderkindere Auctions, Brussels, Belgium, 26 February 2013, lot 261.
English private collection.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11605-199743.
Accompanied by a scholarly note by Egyptologist Paul Whelan.
Cf. The Walters Museum, accession number 54.1017, for a similar figure in bronze created within this time period.
FootnotesPtah is attested from the beginning of ancient Egypt’s dynastic history and was a creator god, a god of craftsmen, and the patron deity of the Memphite region. The principal temple of the god was located in the city of Memphis.
The fragmentary back pillar on this statuette indicates that it was most probably a temple offering, originally inscribed with an invocation to Ptah together with the donor’s name. Such votive figurines with back pillars naming the god and the dedicator occur in various materials, including faience and stone.
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A limestone figure modelled in the half-round, lying naked on a rectangular bed, executed with semi-naturalistic anatomical detailing, voluminous coiffed hair and painted necklace, armbands and distinctive ornamental girdle at the waist; accompanied by a custom-made display stand. 109 grams total, 11.5 cm including stand
Fine condition.
with Secret Eye Gallery, New York City, 1977. with Arte Primitivo, New York, USA, 8 October, 2003, lot 66. Private collection of Professor Kenneth Graham, London, UK. Accompanied by an original Arte Primitivo catalogue page. Accompanied by a scholarly note by Egyptologist Paul Whelan.
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