Egyptian Brown Quartzite Figure of the Baboon God Thoth

Comprising the upper part of the mummiform figure with the arms crossed at the chest and holding agricultural implements in each hand, wearing a tripartite wig with a headband with ties hanging down at the back; a seed bag suspended below the wig; the outline of the hoes, striations on the wig and the seed bag painted black; a central column of hieroglyphs on the front; mounted on a display stand. 125 grams total, 13 cm including stand



Ex Shropshire, UK, collection. From a Cambridgeshire, UK, collection.

Standing falcon-headed deity with eyes inlaid in gold, wearing the traditional shendyt kilt, a tripartite wig topped by the double crown (pa-sekhemty) fronted by a uraeus, as worn by Egyptian pharaohs, and a wesekh collar; the figure depicted striding forward, with the position of the left arm and drilled hand indicating that it originally held the shaft of a sceptre or a weapon; the right hand also drilled to hold an attribute; the rectangular base featuring a low-relief depiction of an oryx beneath the god’s feet, the four sides of the base bear a line of hieroglyphic invocation giving the name of the deity represented by the statuette and those of the dedicator and his family; two tenons on underside for attachment; mounted on a custom-made display stand. 1.1 kg total, 23 cm high including stand



with Sakae Art Gallery, Nagoya, Japan, 1981. Accompanied by an academic report by Dr Alberto Pollastrini. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13161-248074.

The hieroglyphic inscription surrounding the base is worn and difficult to interpret. Based on the formulas preserved on similar statuettes, a tentative interpretation of its meaning can be proposed. The text begins with the customary formula ḏd mdw, meaning “words to be spoken,” followed by the hieroglyph of a falcon, indicating that the deity addressed is Horus. The following signs are unclear, making it hard to identify which specific form of Horus is meant, possibly Horus of Hebenu or Horus the Elder. The formula continues with a plea for the god to grant the dedicator life, prosperity, health, longevity, and a good old age. The inscription ends with the name of the offerer: “Pa-iu, son of Pa-di-Aset; his mother Ta-heret; and his wife Aset, justified.”

Modelled in the round, with a dorsal pillar and a loop at the shoulder, the goddess is in hippopotamus form, with a human torso and arms and a crocodile tail. 7.9 grams, 50 mm



Private collection, Carouge, Switzerland, assembled in the 1980s-1990s. Thence by descent to the collection of Mr S.P., since 2020.