Egyptian Brown Faience Tyet Amulet

The obverse with a scene of Anubis recumbent on a pylon-shaped shrine with a standing sceptre in front; the reverse painted with a djed pillar flanked by two knots of Isis, remains of polychrome painted pigment; three piercings to both sides of the top; accompanied by a custom-made display stand. 71 grams, 85 mm wide (223 grams total, 10.5 cm including stand)

Fine condition.

From an early 20th century collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11104-182800.

Pectorals worn by the living were made from metal, usually gold; for the dead, glazed composition was an acceptable substitute, indicating the funerary nature of such objects. Circular piercings have been made through the cavetto cornice, enabling the piece to be stitched to the bandages covering a mummy's chest. The shape of the pectoral imitates that of a pylon, the rectangular tower which flanked the gateway into an Egyptian temple. The cavetto cornice is decorated with a winged and gilded sun-disk. All four sides are adorned with a block pattern. A jackal reclining on a pylon-shaped shrine represents Anubis, god of embalming. He has a magical tie or scarf around his neck and is shown with a flagellum. Such imagery is found in New Kingdom tombs at Thebes. In front of the shrine is the sekhem sceptre of power. The reverse depicts a djed pillar, believed to represent the backbone with ribs of Osiris, god of the dead, flanked by the Girdle of Isis or 'tit' amulet. Both were standard funerary amulets.

Comprising a double band for sleeve (segmentum) with a band of warriors side by side, each holding a sword in their raised right hand and a globe in the left; geometric borders. 122 grams, 51 x 23 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Tapestry technique on linen and wool. It is highly probable that this tapestry was part of a tunic decoration, a clavus, a segment running vertically on the breast and on the back of it.

The nude body with legs held together and arms by his side, semi-naturalistic anatomical detailing; cleaned. 993 grams, 22.5 cm high



Collection of Brugsch Pasha (1842-1930). with Hotel Drouot, Paris, 30 September 1997, lot 643. Ex property of Mr Naudy. Property of a French collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11601-198618. Accompanied by a scholarly note by Egyptologist Paul Whelan.

Horus, son of Isis and Osiris, was considered a solar deity who overcame darkness and defeated the chaotic forces of his evil uncle, the god Seth. Egyptian Pharaohs considered themselves to be reincarnations of Horus. In his youthful form, Horus the child embodies the new sun and all associated benefits. In Graeco-Roman Egypt he became Harpocrates, son of Serapis and Isis, the deity-symbol of rebirth and fertility, perhaps the most popular deity to be represented in Ptolemaic and Roman Egypt.