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_900x900.jpg "Egyptian Bronze Statuette of Harpocrates")
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_900x900.jpg "Egyptian Bronze Statuette of Harpocrates")
_200x200.jpg "Egyptian Bronze Statuette of Harpocrates")
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LOT 0062
Egyptian Bronze Statuette of Harpocrates
3RD CENTURY B.C.
4 1/4 in. (281 grams, 10.7 cm high).
Votive statuette with youthful locks and a uraeus on his forehead; wearing the heart amulet around his neck; depicted nude, holding his finger to his mouth, a gesture identifying him as a child god; feet resting on a plinth.
ProvenanceEx Tschudi Carlin, circa 1920.
with Cahn Auktionen AG, Basel, Young Collectors Auction, 2015, no.147.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.13472-263066.
Cf. Roeder, G., Ägyptische Bronzefiguren II, Berlin, 1956, pl. 20a-b, for a similarly styled figure.
FootnotesHarpocrates is the Greek equivalent of the Egyptian name Hor-pa-khered, which means ‘Horus the Child’. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to provide the same protection that Isis granted to her beloved son. Larger bronze statuettes were probably votive offerings to Harpocrates, intended to secure his favour and protection.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 0062
Egyptian Bronze Statuette of Harpocrates
Estimate £2,000 - 3,000€2,320 - 3,480 (for guidance only)$2,700 - 4,050 (for guidance only)
Opening Bid
£1,100 (EUR 1,276; USD 1,485) ‡+BP*
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Egyptian Lapis Lazuli Shabti Amulet
New Kingdom, 1550-1070 B.C.Estimate: £1,200 - 1,700 (‡+bp*)
Opening Bid: £600
Carved in the round as a mummiform figure, with a multi-row collar and tripartite wig; rear suspension loop. 3.12 grams, 31 mm
Private collection, acquired on the Swiss art market in 1992; thence by descent. -
Egyptian Coptic Textile Fragments of Orbiculi, Segementa and Tablia from a Tunic with Animals, Geometric and Cross Decoration
Circa 6th-8th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £5
Comprising a small orbiculus, with a lion, green on brown linen; fragment of a clavus, in red, yellow, green wool, s-torsion, with figures and scalloped borders; a large orbiculus, in red wool on purple linen, dentilled edges; a fragment of a tapestry with vegetal ornaments in red, yellow and green wool; a long tunic segmentum with crosses and stars inside lozenges, in yellow and dark purple. 17.94 grams total, 7.6-35.5 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
The fragments are decorative parts of tunics. These are fabrics of great decorative finesse, with some elements displaying an unusual and extremely well-preserved colour palette. The large segmentum with crosses most likely belonged to an ecclesiastical garment. -
Egyptian Blue Glazed Faience Shabti of the Royal Scribe Aahmes
Persian Period, circa 6th century B.C.Estimate: £500 - 700 (+bp*)
Opening Bid: £5
Mummiform figure wearing a lappet wig and long false beard, arms crossed over the chest; the left hand holds a pick, the right a hoe, and a cord from a small seed bag hangs over the shoulder; plain dorsal pillar; a T-form hieroglyphic text arrangement on the lower body, with the horizontal line reading: 'The illuminated one, the Osiris, the royal scribe Aahmes,' and the central column 'born to Hotep-Bastet, true of voice'; with a wooden display stand bearing the legend 'Ushabi of Aahmes, Royal Scribe, Persian period'. 44.7 grams, 10.7 cm (62.2 grams total, 12.2 cm including stand)
Acquired Herne Bay High Street, circa February 1957, for 2 shillings and sixpence. From the private collection of Peter Clayton, FCILIP, Dip, Arch, FSA, FRNS, Hemel Hempstead, Hertfordshire, UK; formed since the late 1950s. Accompanied by an old handwritten information card by Peter Clayton, collection no.4.
