Egyptian Bronze Seated Cat Statuette

Depicted nude in an advancing pose; silver inlaid eyes, braided sidelock of youth; left hand by his side, drilled to accept a separate element, the other outstretched at a right angle to his body, holding a tapering cylindrical staff, not belonging; he may originally have held a sistrum, an ancient Egyptian percussion instrument, or a menat, both closely associated with the goddess Hathor; here, Ihy wears the Pschent crown with remains of uraeus, and an inlaid gold necklace suspended with an ib pendant around his neck; finely detailed facial features, with engraved Nekhbet vulture with outspread wings at the back of the crown; integral lugs on soles of feet; mounted on a custom-made stand. 899 grams total, 25 cm including stand



From the Singer family collection, Germany, acquired circa 1962. with A.A.L., Geneva, 1980. with Christie's, London, 25 April 2015, no.163 [£50,000-£70,000]. Private collection, London, UK. Accompanied by copies of the relevant Christie's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13309-258229.

Ihy was an Egyptian god associated with music, joy, and ritual celebrations, particularly as the divine child of Hathor and of Horus or Ra. He is typically depicted as a youthful figure, often naked or lightly clothed, wearing a sidelock of youth and carrying a sistrum or menat, both percussion instruments closely connected with ritual performances in Hathor's cult, especially at the temples of Dendera and Edfu. His name is generally understood to mean 'the musician' or 'the one who plays music,' although it may also mean 'calf', a reference to his relationship with the cow-goddess Hathor. Bronze statuettes of Ihy, such as this example, were probably produced as votive offerings dedicated in temples, especially those devoted to Hathor. Worshippers may have commissioned such figures in the hope of obtaining divine favour, protection, fertility, healing, or participation in the blessings linked with music and festivity. Some examples may also have served as cult images used in temple ceremonies or as protective objects placed in domestic or funerary settings.

Amuletic bead, bifacial with designs: Side A - cartouche for Tuthmoses III with ankh, lion couchant, crown and other motifs; Side B - cartouche as on Side A with perching birds above and below. 2.93 grams, 18 mm



Ex John Cummings Ltd., Lincolnshire, UK. From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s. Accompanied by an old information card.

Modelled in the round in striding pose with one arm resting along the body and the right hand raised to his mouth, wearing an elaborate side-lock of youth and Pschent crown fronted by uraeus; mounted on a display stand. 202 grams total, 12.8 cm including stand



with R.H. Blanchard's Egyptian Museum, Cairo, early 20th century. Private collection, London, UK. Accompanied by its original base, retaining the Blanchard label.

Harpocrates is the Greek equivalent of the Egyptian name Hor-pa-khered, which means 'Horus the Child'. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to provide the same protection that Isis granted to her beloved son. Larger bronze statuettes, such as this, were probably votive offerings to Harpocrates, intended to secure his favour and protection.