Loading, please wait...
LOT 0493
Egyptian Bronze Oxyrhynchus Fish
LATE PERIOD, 664-332 B.C. OR LATER
4 1/2 in. (203 grams, 11.5 cm).
Modelled in the round on a sledge attached by ventral and pectoral fins; with forked tail, a dorsal ridge, and a tapering nose, featuring recessed circular eyes to accept an insert, a horned sun disc headdress fronted by a uraeus, and a suspension loop behind.
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
LiteratureCf. Kozloff, A.P., Animals in Ancient Art from the Leo Mildenberg Collection, Mainz am Rhein, 1981, fig. 60, for a similar example; Tiribilli, E., The bronze figurines of the Petrie Museum from 2000 BC to AD 400, London, 2018, p.229, for discussion.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Egyptian Silver Bastet Cat Amulet
Late Period-Ptolemaic Period, 664-32 B.C. or laterSold for (Inc. bp): £260
Seated figure of a cat with pointed ears mounted on a rectangular base with a rounded end; suspension loop on the back. 1.55 grams, 12 mm
Ex London, UK, gentleman's collection, 1990s.
The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis. -
Egyptian Faience Shabti
Late Period, 664-332 B.C.Sold for (Inc. bp): £143
Mummiform figure with plain dorsal pillar, standing with arms crossed and holding agricultural implements, seedbag suspended over the left shoulder; wearing a tripartite wig and a false beard; repaired. 41.6 grams, 10.5 cm
Ex H Norri collection, Milton Keynes, Bedfordshire, UK, 1980s-1990s. -
Egyptian Bronze Oxyrhynchus Fish
Late Period, 664-332 B.C. or laterSold for (Inc. bp): £1,235
Modelled in the round on a sledge attached by ventral and pectoral fins; with forked tail, a dorsal ridge, and a tapering nose, featuring recessed circular eyes to accept an insert, a horned sun disc headdress fronted by a uraeus, and a suspension loop behind. 203 grams, 11.5 cm
From the collection of a gentleman, acquired on the London art market in the 1990s.