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LOT 0478
Egyptian Bronze Ibis Attachment
LATE PERIOD, 664-332 B.C. OR LATER
2 3/8 in. (114 grams, 60 mm).
Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired.
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
LiteratureCf. Roeder, G., Ägyptische Bronzefiguren II, Berlin, 1956, pls.57f, 58a, for similar low-squatting examples.
FootnotesThe ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis.
During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.
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LOT 0478
Egyptian Bronze Ibis Attachment
Estimate £200 - 300€230 - 350 (for guidance only)$270 - 410 (for guidance only)
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Egyptian Wooden Funerary Shabti Figurine
2nd-1st millennium B.C.Estimate: £1,500 - 2,000 (‡+bp*)
Opening Bid: £750
Carved in the round with D-shaped base, carefully modelled hair and ears with beard absent, the right hand visible, not holding any work tools, the body has the appearance of a mummy entirely draped in a shroud with rather elongated proportions, the broad and rounded face with a slightly ‘smiling’ expression, framed by a tripartite hairstyle without stripes, which continues down the back and two lappets on the chest. 39 grams, 14.5 cm
Ex R. Liechti (1934-2010) Geneva, Switzerland, formed between 1950-1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12079-218221. -
Egyptian Framed Coptic Fabric Collection
Circa 5th-7th century A.D.Sold for (Inc. bp): £85
Three fragments of tabby-weave linen fabric, two with embroidered ornament, one with a woven polychrome border; mounted in a glazed wooden frame with gilt inner border. 578 grams total, fragments: 6.5-15.5 cm (frame: 26 x 31 cm)
From the private collection of H. Norry, 1980s-1990s. -
Egyptian Lapis Lazuli Amulet of a Djed Pillar
New Kingdom, 18th Dynasty, circa 1550-1295 B.C.Sold for (Inc. bp): £585
Carved as a square-section column with transverse ribs and a decorative finial, incised transverse lines to the body; mounted on a custom-made display stand. 4.84 grams, 49 mm (8.6 grams total, 64 mm including stand)
Ex R. Liechti (1934-2010) collection, Geneva, Switzerland. Private collection, Europe.
The djed pillar signifies the concepts of 'enduring' and 'stability' and was a common funerary amulet from the Old Kingdom onwards. It was first associated with the gods Ptah and Sokar but later became a symbol of Osiris, representing the god's backbone. In this context, the djed pillar appears in Chapter 155 of the Book of the Dead, concerned with the deceased's resurrection. R. Liechti was a distinguished collector of Egyptian antiquities, known for his discerning eye and passion for ancient artefacts. Active during the mid-20th century, Liechti's collection featured a wide range of objects that showcased the rich cultural heritage of ancient Egypt, from intricately carved statuettes to rare amulets and jewellery. His dedication to preserving and studying these relics earned him a respected reputation among scholars and collectors alike. Many pieces from his collection have since found their way into prominent museum collections and auction houses, further solidifying his legacy in the world of antiquities.