Egyptian Bronze Goddess Bastet as Seated Cat

A lapis lazuli amuletic scarab with the falcon head of Ra with lappet headdress and broad collar; ribbed loop to the underside for suspension 6.9 grams, 25 mm



UK art market, prior 2000. English private collection.

This scarab was probably attached to the mummy, and its falcon head symbolising the sun-god Ra served to emphasise the solar aspect of the amulet, and give added potency to its regenerative power.

A figurine in blue-green faience depicting a human female displaying traits of achondroplasia, with a disproportionate body, protruding abdomen, prominent buttocks, and shortened limbs; the large and exaggeratedly flattened head sports a distinctive hairstyle consisting of three ‘bunches’ on the front and three long braids at the back; the shaven top of the head is indicated by stippling; the figure wearing a long, single-strand shell necklace, armlets, and a girdle, all indicated in black pigment, as are the facial details, hair colour, pubic triangle, fingernails, and toenails. 50 grams, 66 mm high



Acquired from Dr Jan Beekmans, circa 1985. UK private collection. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11594-198343.

This figurine belongs to a rare sub-type in a category of anthropomorphic figures produced during the late 12th-13th Dynasty. The category comprises around 200 figurines which include truncated-leg females, ‘grotesque’ human forms, and those displaying more distinct traits of achondroplasia, such as can be observed in this figurine. Very few examples of this particular sub-type are known, of which only one in the Metropolitan Museum of Art, New York provides a close parallel in terms of overall styling and form with this figurine. The purpose of this figurine is not fully understood, but other types of female representations in the large corpus of Middle Kingdom faience figurines are now considered to have embodied generative and regenerative power for their owners. This figurine shares the same distinctive three-braid hairstyle and the necklace, armlets, and girdle body adornments found on some. Body adornments of this kind also occur on wooden ‘paddle doll’ female figurines which are considered to have some connection with khener-dancers, who performed in royal, temple and funerary spheres. Since, in funeral contexts, ritual dances were often performed by dwarfs, a further connection can possibly be made between the role of khener-dancers and this figurine. The performance of such dancers in royal or funerary contexts was considered to bring the power of regeneration and potency to the recipient.

A bronze staff or sceptre terminal formed as a priest of Anubis with jackal's head and human body, standing and wearing a tightly-draped toga with right hand extended in a fist; square base and socket to the underside. 223 grams, 12.7 cm high



Private collection, since 1989. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11604-199678.

Anubis was the ancient Egyptian god of the dead - represented in jackal form or in the form of a jackal-headed man - and one of ancient Egypt's most iconic deities. Originally god of the underworld, he was eventually associated more specifically with the embalming process and funerary rites. His fur was generally depicted as black owing to the association of that colour with fertility and beliefs regarding rebirth in the afterlife.