Loading, please wait...

Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx Egyptian Bronze Figure of Horus Standing on an Oryx
Use mousewheel to zoom in and out, click to enlarge
Details

LOT 0038

Egyptian Bronze Figure of Horus Standing on an Oryx

LATE PERIOD-PTOLEMAIC PERIOD, 664-30 B.C.

9 in. (1.1 kg total, 23 cm high including stand).

Standing falcon-headed deity with eyes inlaid in gold, wearing the traditional shendyt kilt, a tripartite wig topped by the double crown (pa-sekhemty) fronted by a uraeus, as worn by Egyptian pharaohs, and a wesekh collar; the figure depicted striding forward, with the position of the left arm and drilled hand indicating that it originally held the shaft of a sceptre or a weapon; the right hand also drilled to hold an attribute; the rectangular base featuring a low-relief depiction of an oryx beneath the god’s feet, the four sides of the base bear a line of hieroglyphic invocation giving the name of the deity represented by the statuette and those of the dedicator and his family; two tenons on underside for attachment; mounted on a custom-made display stand.

Provenance

with Sakae Art Gallery, Nagoya, Japan, 1981.

Accompanied by an academic report by Dr Alberto Pollastrini.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.13161-248074.

Published

Small is Beautiful: The Art of Sculpture; Christie's, South Kensington, 6-20 October 2015, no.24.

Literature

For comparison, see an Egyptian bronze Horus of Hebenu standing atop a bound oryx from the Recanati Collection, Christie’s, New York, 26 January 2023, no.20; further parallels in New York (Metropolitan Museum of Art, 45.2.11), Baltimore (Walters Art Museum, 54.1013), and Cairo (CG 60359) are discussed by Hill, M., 'Small Divine Statuettes Outfitting Religion,' in Masson-Bergoff, A. (ed.), Statues in Context: Production, Meaning and (Re)-uses, Leuven, 2019, pp.35-49; Daressy, G., Catalogue général des antiquités égyptiennes du Musée du Caire N° 38001-39384 Statues de divinités, Cairo, 1906, p.161 (no.38618), pl. XXXIV, for a similar example.

Footnotes

The hieroglyphic inscription surrounding the base is worn and difficult to interpret. Based on the formulas preserved on similar statuettes, a tentative interpretation of its meaning can be proposed. The text begins with the customary formula ḏd mdw, meaning “words to be spoken,” followed by the hieroglyph of a falcon, indicating that the deity addressed is Horus. The following signs are unclear, making it hard to identify which specific form of Horus is meant, possibly Horus of Hebenu or Horus the Elder. The formula continues with a plea for the god to grant the dedicator life, prosperity, health, longevity, and a good old age. The inscription ends with the name of the offerer: “Pa-iu, son of Pa-di-Aset; his mother Ta-heret; and his wife Aset, justified.”

CONDITION
VETTING:

TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process


AUCTIONS:

TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

LOT 0038

Egyptian Bronze Figure of Horus Standing on an Oryx

Estimate £20,000 - 30,000€23,200 - 34,800 (for guidance only)$27,000 - 40,500 (for guidance only)

Print page

RELATED LOTS
  • Large Egyptian Blue Faience Roundel for Ramesses II
    Large Egyptian Blue Faience Roundel for Ramesses II
    New Kingdom, 19th Dynasty, 1295-1186 B.C.

    Estimate: £10,000 - 14,000 (+bp*)

    Opening Bid: £5,000

    A fitting or pommel made for King Ramesses II, his throne name (User-Maat-Re Setep-en-Re) inscribed within a cartouche topped by two ostrich feathers framing a solar disc; the cartouche positioned above the hieroglyphic sign nbw, which signifying 'gold' and alluded to the luminous radiance of the royal name; two uraei flanking the cartouche, wearing the White Crown of Upper Egypt and the Red Crown of Lower Egypt, respectively; the throne name roughly translating as 'The justice of Re is powerful, chosen of Re'; a square-shaped socket located at the back for attachment; mounted on a custom-made display stand. 475 grams total, 14 cm including stand



    Formerly with G. Janes, Manchester, UK and collection Galerie Nefer. Previously with Cybele Galerie Librairie Egyptologie, Paris, France. From an important English collection. Accompanied by an academic report by Dr Alberto Maria Pollastrini. Accompanied by a copy of the Cybele invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.10740-177442.

    The epithet part of the throne name Setep en Re appears in Ramesses II's royal titulary from Year 2 of his reign. The two rearing cobras, which symbolise the goddesses Nekhbet and Wadjet, also represent the unity of the Two Lands under Ramesses II's rule. A similar green faience fitting bearing Ramesses II's throne name is kept in the Archaeological Collection of Zürich (inv. no. 3702). Similar objects linked to the 18th Dynasty kings Akhenaten and Ay show that such fittings were not limited to the 19th Dynasty. They may even have influenced later designs, as the fitting of King Ay, possibly from a piece of heirloom furniture, was found among the tomb goods of Nefertari, Ramesses II’s “Chief Queen”.

    Lot Details

  • Egyptian Lapis Lazuli Scarab
    Egyptian Lapis Lazuli Scarab
    Late Period, 664-332 B.C.

    Sold for (Inc. bp): £715

    Carved in the round with longitudinal piercing, ellipsoid base. 12.8 grams, 30 mm



    Ex early 20th century collection.

    Lot Details

  • Egyptian Bronze Osiris Statue
    Egyptian Bronze Osiris Statue
    Late Period, 664-332 B.C.

    Sold for (Inc. bp): £910

    A sizeable, slender standing mummiform figure of Osiris, wearing his iconic tall conical Atef crown with flanking ostrich plumes and a central uraeus, holding the crook (heka) and flail (nekhakha) regalia; mounted on a display stand. 821 grams total, 26 cm high including stand



    From the estate of Alexander Dobkin (1908-1975), New York, USA, acquired prior to 1975. Thence by descent to his daughter, Katherine Dobkin, New York, USA..

    Osiris was associated with death and fertility and was widely recognised as the supreme god of renewal and rebirth. Although he was once a mortal ruler, as a deity, his domain was the Underworld. Abydos served as the main site of Osiris’ worship, where a renowned annual celebration in his honour took place.

    Lot Details

Stay up-to-date with the latest from TimeLine Auctions by joining our mailing list