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_900x900.jpg "Egyptian Bronze Figure of Harpocrates")
_200x200.jpg "Egyptian Bronze Figure of Harpocrates")
_900x900.jpg "Egyptian Bronze Figure of Harpocrates")
_200x200.jpg "Egyptian Bronze Figure of Harpocrates")
.jpg "Egyptian Bronze Figure of Harpocrates")
.jpg "Egyptian Bronze Figure of Harpocrates")
LOT 0028
Egyptian Bronze Figure of Harpocrates
LATE PERIOD, 664-332 B.C.
7 1/4 in. (584 grams, 18.5 cm).
Seated nude statuette of Harpocrates, with legs together and left arm by his side, right arm bent across the chest with forefinger raised to his lips, wearing a nemes headdress with uraeus on the front and a bold sidelock on the right side, surmounted by an elaborate hem-hem crown consisting of three conical atef crowns each topped with a sun disc, with an ostrich plume to the side of the outermost, and flanked by two uraei with sun discs, all supported on two horizontal ram's horns; semi-naturalistic anatomical detailing; feet resting on an integral square plinth, mounted on a wooden stand.
ProvenanceEx pre-war collection, Switzerland.
Private collection, Europe.
Accompanied by a copy of an Art Loss Register certificate no.S00075707.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12371-226682.
Cf. Roeder, G., Ägyptische Bronzefiguren II, Berlin, 1956, pl. 21c-d, for a similar example.
FootnotesHarpocrates is the Greek rendering of the Egyptian Hor-pa-khered, which translates as 'Horus the Child'. This refers to Horus as the divine infant of Isis and Osiris. Statuettes of Harpocrates could provide the dedicator with the same protection that Isis gave her beloved son.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Egyptian Blue Glazed Hieroglyphic Shabti
26th Dynasty, 664-525 B.C.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £667
Of mummiform type, wearing a tripartite wig and long plaited divine beard, with arms crossed and the left hand holding a pick, the right hand holding a hoe and the cord of a seed bag hanging over his left shoulder, with carefully rendered cosmetic lines around the eyes, narrow eyebrows, and slightly smiling lips giving it a serene expression characteristic of the finest ushabtis of the period; standing on an integral plinth from which a plain back pillar terminating at the base of the wig extends; six horizontal rows of hieroglyphic inscription, the Sixth Chapter of the Book of the Dead; water worn and repaired. 248 grams, 18.5 cm
Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present. -
Egyptian Lapis Lazuli Amulet of a Djed Pillar
New Kingdom, 18th Dynasty, circa 1550-1295 B.C.Sold for (Inc. bp): £585
Carved as a square-section column with transverse ribs and a decorative finial, incised transverse lines to the body; mounted on a custom-made display stand. 4.84 grams, 49 mm (8.6 grams total, 64 mm including stand)
Ex R. Liechti (1934-2010) collection, Geneva, Switzerland. Private collection, Europe.
The djed pillar signifies the concepts of 'enduring' and 'stability' and was a common funerary amulet from the Old Kingdom onwards. It was first associated with the gods Ptah and Sokar but later became a symbol of Osiris, representing the god's backbone. In this context, the djed pillar appears in Chapter 155 of the Book of the Dead, concerned with the deceased's resurrection. R. Liechti was a distinguished collector of Egyptian antiquities, known for his discerning eye and passion for ancient artefacts. Active during the mid-20th century, Liechti's collection featured a wide range of objects that showcased the rich cultural heritage of ancient Egypt, from intricately carved statuettes to rare amulets and jewellery. His dedication to preserving and studying these relics earned him a respected reputation among scholars and collectors alike. Many pieces from his collection have since found their way into prominent museum collections and auction houses, further solidifying his legacy in the world of antiquities. -
Egyptian Hardstone Architectural Amulet
Late Period, 664-332 B.C.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
Carved haematite representation of a carpenter's or stonemason's set-square. 3.15 grams, 24 mm
with Hotel des Ventes, Drouot, Paris, France. From the collection of Mr H. Naudy, Paris, France. Acquired at between 2004-2010. Property of a French collector.
Amulets of the L-shaped carpenter's or stonemason's set-square, usually depicted as two rectangular strips of unequal lengths meeting at a right angle, were most frequently made of dark hard stones such as haematite, as this example. Set-square amulets were believed to bestow eternal moral uprightness upon their possessor.
